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  • Rock Paper Scissors and Praise Artisan Keycaps
    Rock Paper Scissors and Praise Artisan Keycaps

    1u size OEM profile. Injected with PC and food-grade silicone to ensure fading resistance and typing comfort.. Compatible with mainstream switches for DIY and Customization.

    Price: 8.99 € | Shipping*: €
  • Digital Cultural Heritage
    Digital Cultural Heritage

    This book provides an overview of various application spheres and supports further innovations needed in information management and in the processes of knowledge generation.The professions, organizations and scientific associations involved are unusually challenged by the complexity of the data situation.Cartography has always been the central field of application for georeferencing digital cultural heritage (DCH) objects.It is particularly important in enabling spatial relation analysis between any number of DCH objects or of their granular details.In addition to the pure geometric aspects, the cognitive relations that lead to knowledge representation and derivation of innovative use processes are also of increasing importance.Further, there is a societal demand for spatial reference and analytics (e.g. the extensive use of cognitive concepts of "map" and "atlas" for a variety of social topics in the media).There is a huge geometrical-logical-cognitive potential for complex, multimedia, digital-cultural-heritage databases and stakeholders expect handling, transmission and processing operations with guaranteed long-term availability for all other stakeholders.In the future, whole areas of digital multimedia databases will need to be processed to further our understanding of historical and cultural contexts.This is an important concern for the information society and presents significant challenges for cartography in all these domains. This book collects innovative technical and scientific work on the entire process of object digitization, including detail extraction, archiving and interoperability of multimedia DCH data.

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  • Rock! Rock! Rock 'N' Roll!
    Rock! Rock! Rock 'N' Roll!


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  • The Cultural Heritage of Meghalaya
    The Cultural Heritage of Meghalaya

    The state of Meghalaya, formed on 21 January 1972, is a state of fascinating socio-cultural significance.Its heritage can be traced from the prehistoric times of Stone Age upto the present.Though comprising mainly of the matrilineal Khasi, Garo, and Jaintia tribes – the state also houses many other lesser known communities such as the Hajong, Sakachep, Biate, Koch, Dalu, Margnar and the Nepali.All these communities find voice in this volume. The Cultural Heritage of Meghalaya looks at the state of Meghalaya exhaustively from the perspective of heritage documentation and maintenance.

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  • What is a cultural heritage?

    Cultural heritage refers to the traditions, customs, beliefs, and artifacts that are passed down from generation to generation within a society. It encompasses the tangible and intangible aspects of a culture, including historical sites, monuments, art, music, language, and rituals. Cultural heritage plays a crucial role in shaping a community's identity and preserving its unique heritage for future generations. It is an important part of a society's history and contributes to its sense of belonging and continuity.

  • What is the difference between Classic Rock, Art Rock, and Progressive Rock?

    Classic Rock is a genre that typically refers to rock music from the late 1960s to the early 1980s, characterized by a straightforward, blues-based sound with catchy melodies and simple song structures. Art Rock, on the other hand, is a more experimental and avant-garde form of rock music that often incorporates elements of classical music, jazz, and other genres, with a focus on artistic expression and innovation. Progressive Rock is a subgenre of rock music that emerged in the late 1960s and is characterized by complex compositions, virtuosic musicianship, and elaborate concept albums, often featuring extended instrumental passages and unconventional time signatures.

  • What is the difference between hard rock, punk rock, and regular rock?

    Hard rock is characterized by its heavy, aggressive sound and often features loud, distorted guitars and powerful vocals. Punk rock, on the other hand, is known for its fast-paced, raw, and energetic style, with a focus on simple, catchy melodies and rebellious lyrics. Regular rock, or classic rock, typically refers to the rock music of the 1960s and 1970s, featuring a wide range of styles and influences, from blues and folk to psychedelic and progressive rock. Each subgenre has its own distinct sound and attitude, reflecting the unique cultural and musical movements from which they emerged.

  • Do you listen to rock, hard rock?

    As an AI, I don't have the ability to listen to music, but I have knowledge about various music genres, including rock and hard rock. I can provide information and recommendations about rock and hard rock music based on your preferences. If you have any specific questions or need recommendations, feel free to ask!

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  • Analytical Chemistry for Cultural Heritage
    Analytical Chemistry for Cultural Heritage

    The series Topics in Current Chemistry Collections presents critical reviews from the journal Topics in Current Chemistry organized in topical volumes.The scope of coverage is all areas of chemical science including the interfaces with related disciplines such as biology, medicine and materials science.The goal of each thematic volume is to give the non-specialist reader, whether in academia or industry, a comprehensive insight into an area where new research is emerging which is of interest to a larger scientific audience.Each review within the volume critically surveys one aspect of that topic and places it within the context of the volume as a whole.The most significant developments of the last 5 to 10 years are presented using selected examples to illustrate the principles discussed.The coverage is not intended to be an exhaustive summary of the field or include large quantities of data, but should rather be conceptual, concentrating on the methodological thinking that will allow the non-specialist reader to understand the information presented.Contributions also offer an outlook on potential future developments in the field.

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  • Cultural Heritage and Mass Atrocities
    Cultural Heritage and Mass Atrocities

    A pathbreaking call to halt the intertwined crises of cultural heritage attacks and mass atrocities and mobilize international efforts to protect people and cultures. Intentional destruction of cultural heritage has a long history.Contemporary examples include the Bamiyan Buddhas in Afghanistan, mosques in Xinjiang, mausoleums in Timbuktu, and Greco-Roman remains in Syria.Cultural heritage destruction invariably accompanies assaults on civilians, making heritage attacks impossible to disentangle from the mass atrocities of genocide, war crimes, crimes against humanity, and ethnic cleansing.Both seek to eliminate people and the heritage with which they identify.Cultural Heritage and Mass Atrocities assembles essays by thirty-eight experts from the heritage, social science, humanitarian, legal, and military communities.Focusing on immovable cultural heritage vulnerable to attack, the volume's guiding framework is the Responsibility to Protect (R2P), a United Nations resolution adopted unanimously in 2005 to permit international intervention against crimes of war or genocide.Based on the three pillars of prevent, react, and rebuild, R2P offers today's policymakers a set of existing laws and international norms that can and--as this book argues--must be extended to the protection of cultural heritage.Contributions consider the global value of cultural heritage and document recent attacks on people and sites in China, Guatemala, Iraq, Mali, Sri Lanka and Afghanistan, Syria, and Yemen.Comprehensive sections on vulnerable populations as well as the role of international law and the military offer readers critical insights and point toward research, policy, and action agendas to protect both people and cultural heritage.A concise abstract of each chapter is offered online in Arabic, Chinese, French, Russian, and Spanish to facilitate robust, global dissemination of the strategies and tactics offered in this pathbreaking call to action. The free online edition of this publication is available at getty.edu/publications/cultural-heritage-mass-atrocities.Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book.

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  • Cultural Heritage and the Future
    Cultural Heritage and the Future

    Cultural Heritage and the Future brings together an international group of scholars and experts to consider the relationship between cultural heritage and the future. Drawing on case studies from around the world, the contributing authors insist that cultural heritage and the future are intimately linked and that the development of futures thinking should be a priority for academics, students and those working in the wider professional heritage sector.Until recently, the future has never attracted substantial research and debate within heritage studies and heritage management, and this book addresses this gap by offering a balance of theoretical and empirical content that will stimulate multidisciplinary debate in the burgeoning field of critical heritage studies. Cultural Heritage and the Future questions the role of heritage in future making and will be of great relevance to academics and students working in the fields of museum and heritage studies, archaeology, anthropology, architecture, conservation studies, sociology, history and geography.Those working in the heritage professions will also find much to interest them within the pages of this book.

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  • Rock and Roll, Social Protest, and Authenticity : Historical, Philosophical, and Cultural Explorations
    Rock and Roll, Social Protest, and Authenticity : Historical, Philosophical, and Cultural Explorations

    This book explores the relationships between rock and roll, social protest, and authenticity to consider how rock and roll could function as social protest music.The author begins by discussing the nature and origins of rock and roll and the nature of social protest and social protest music within the wider context of the evolution of the commercial music industry and the social and technological infrastructure developed for the mass dissemination of popular music.This discussion is followed by an examination of the causes of the public disapproval originally expressed toward rock and roll, and how they illuminate its social protest and subversive quality.By further investigating the nature of authenticity and its relationship to social protest and to commercialization, the author considers how social protest and commercialization are antithetical.This conclusion, if correct, has broad implications for human culture in advanced industrial society.

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  • Search for a band that combines traditional oriental music with rock music.

    One band that combines traditional oriental music with rock music is Myrath, a Tunisian metal band. They incorporate elements of North African and Middle Eastern music into their metal sound, using traditional instruments such as the oud and incorporating Arabic melodies and rhythms. Myrath's unique fusion of oriental and rock music has gained them international recognition and a dedicated fan base. Their music is a perfect blend of traditional oriental sounds and modern rock, creating a truly unique and captivating listening experience.

  • How do German rock and punk rock differ?

    German rock and punk rock differ in several ways. German rock often incorporates elements of hard rock, heavy metal, and progressive rock, with bands like Scorpions and Rammstein being prominent examples. On the other hand, German punk rock is characterized by its raw and aggressive sound, with bands like Die Toten Hosen and Slime being influential in the genre. Additionally, German punk rock often addresses social and political issues in its lyrics, while German rock may focus on a wider range of themes. Overall, while both genres share a rebellious spirit, they differ in their musical styles and lyrical content.

  • Aren't rock ballads actually more pop than rock?

    Rock ballads can certainly have a pop influence, as they often feature catchy melodies and emotional lyrics that appeal to a wide audience. However, the use of electric guitars, powerful vocals, and a focus on emotional intensity sets rock ballads apart from typical pop ballads. While they may have crossover appeal, rock ballads are rooted in the traditions of rock music and often incorporate elements of classic rock, making them more rock than pop.

  • Is the Drachenschanze a German cultural heritage site?

    Yes, the Drachenschanze is considered a German cultural heritage site. It is a historic site in the Harz Mountains that has been preserved and protected due to its cultural significance. The Drachenschanze is a medieval fortification that played a role in the region's history, making it an important part of Germany's cultural heritage. Its historical and architectural significance has led to its recognition as a cultural heritage site in Germany.

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