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  • Television : Technology and Cultural Form
    Television : Technology and Cultural Form

    Television: Technology and Cultural Form was first published in 1974, long before the dawn of multi-channel TV, or the reality and celebrity shows that now pack the schedules.Yet Williams' analysis of television's history, its institutions, programmes and practices, and its future prospects, remains remarkably prescient.Williams stresses the importance of technology in shaping the cultural form of television, while always resisting the determinism of McLuhan's dictum that 'the medium is the message'.If the medium really is the message, Williams asks, what is left for us to do or say?Williams argues that, on the contrary, we as viewers have the power to disturb, disrupt and to distract the otherwise cold logic of history and technology - not just because television is part of the fabric of our daily lives, but because new technologies continue to offer opportunities, momentarily outside the sway of transnational corporations or the grasp of media moguls, for new forms of self and political expression.

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  • Form
    Form


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  • FORM
    FORM


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  • Musical Form
    Musical Form


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  • What is a cultural heritage?

    Cultural heritage refers to the traditions, customs, beliefs, and artifacts that are passed down from generation to generation within a society. It encompasses the tangible and intangible aspects of a culture, including historical sites, monuments, art, music, language, and rituals. Cultural heritage plays a crucial role in shaping a community's identity and preserving its unique heritage for future generations. It is an important part of a society's history and contributes to its sense of belonging and continuity.

  • Is the Drachenschanze a German cultural heritage site?

    Yes, the Drachenschanze is considered a German cultural heritage site. It is a historic site in the Harz Mountains that has been preserved and protected due to its cultural significance. The Drachenschanze is a medieval fortification that played a role in the region's history, making it an important part of Germany's cultural heritage. Its historical and architectural significance has led to its recognition as a cultural heritage site in Germany.

  • Is Drachenlord and the Drachengame considered German cultural heritage?

    Drachenlord and the Drachengame are not officially recognized as German cultural heritage. While they may have gained a following and become a notable part of internet culture in Germany, they do not hold the same status as traditional cultural elements such as literature, music, or art that are typically associated with being part of a country's cultural heritage. Additionally, the controversial nature of Drachenlord and the Drachengame may make it less likely to be officially recognized as cultural heritage.

  • Is the Drachenlord and the Drachengame German cultural heritage?

    The Drachenlord and the Drachengame are not considered German cultural heritage in the traditional sense. They are more of a modern internet phenomenon that has gained popularity in certain online communities. While they may have a following and be part of contemporary German internet culture, they do not hold the same historical or cultural significance as traditional German heritage sites or practices.

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  • Bad Form
    Bad Form

    Glasgow crime journalist Lassiter back with even more twists , turns and many, many more surprises.Same shady friends on opposite sides of the law. When is a school not a school? When someone asks Lassiter to investigate it. That's when. London and Glasgow gangsters, Murdered schoolteachers.Shady Policemen. Hagan under threat from London hit man? Why has an old enemy of his suddenly appeared back in Glasgow?The same old enemy who was seemingly involved in the murder of someone Hagan knew back in the sixties.Why is a tough housing scheme school so interesting to a top London politician?When Hagan's family is threatened also the uneasy alliance between Glasgow's criminals and the police resumes.Hold on tight. As usual with Lassiter nothing is what it seems. Especially not at the end!

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  • Free Form
    Free Form


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  • Form & Feeling
    Form & Feeling


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  • Coding, Shaping, Making : Experiments in Form and Form-Making
    Coding, Shaping, Making : Experiments in Form and Form-Making

    Coding, Shaping, Making combines inspiration from architecture, mathematics, biology, chemistry, physics and computation to look towards the future of architecture, design and art.It presents ongoing experiments in the search for fundamental principles of form and form-making in nature so that we can better inform our own built environment.In the coming decades, matter will become encoded with shape information so that it shapes itself, as happens in biology.Physical objects, shaped by forces as well, will begin to design themselves based on information encoded in matter they are made of.This knowledge will be scaled and trickled up to architecture.Consequently, architecture will begin to design itself and the role of the architect will need redefining.This heavily illustrated book highlights Haresh Lalvani’s efforts towards this speculative future through experiments in form and form-making, including his work in developing a new approach to shape-coding, exploring higher-dimensional geometry for designing physical structures and organizing form in higher-dimensional diagrams.Taking an in-depth look at Lalvani’s pioneering experiments of mass customization in industrial products in architecture, combined with his idea of a form continuum, this book argues for the need for integration of coding, shaping and making in future technologies into one seamless process.Drawing together decades of research, this book will be a thought-provoking read for architecture professionals and students, especially those interested in the future of the discipline as it relates to mathematics, science, technology and art.It will also interest those in the latter fields for its broader implications.

    Price: 35.99 £ | Shipping*: 0.00 £
  • Which form, the general vertex form or the factored form, is meant?

    The question is not specific about which type of form is being referred to. However, if the question is about a quadratic equation, the factored form is meant when referring to the form that expresses the equation as a product of two linear factors. On the other hand, the general vertex form is meant when referring to the form that expresses the equation as a combination of a vertical translation and a horizontal translation of the standard form.

  • What is the function in parameter form, zero form and vertex form?

    The function in parameter form is typically used to represent a function in terms of its parameters, such as the coefficients and constants that define its behavior. This form is often used in calculus and other advanced mathematical applications. The zero form of a function is a way of expressing it in terms of its roots or zeros, which are the values of the independent variable that make the function equal to zero. This form is useful for finding the solutions to equations and understanding the behavior of the function at specific points. The vertex form of a function is a way of expressing it in terms of its vertex, which is the highest or lowest point on the graph of the function. This form is often used in algebra and geometry to analyze the behavior of quadratic functions.

  • When do we use the parameter form, coordinate form, and normal form?

    We use the parameter form when we want to represent a line or a plane using a parameter or a set of parameters. This form is useful for describing the position of points on the line or plane in terms of a parameter. The coordinate form is used when we want to represent a line or a plane using the coordinates of points that lie on the line or plane. This form is useful for finding the equation of a line or a plane given specific points. The normal form is used when we want to represent a line or a plane using the normal vector and a point on the line or plane. This form is useful for finding the equation of a line or a plane given the normal vector and a point.

  • How to form the conjunctive normal form?

    To form the conjunctive normal form (CNF) of a logical expression, first convert the expression into its disjunctive normal form (DNF). This involves applying the distributive law to expand the expression into a sum of products. Then, distribute any negations to push them down to the individual variables. Finally, combine the products of variables with OR operations to form the CNF, which is a conjunction of clauses, each of which is a disjunction of literals.

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