Products related to Risk:
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Managing Disaster Risks to Cultural Heritage : From Risk Preparedness to Recovery for Immovable Heritage
Managing Disaster Risks to Cultural Heritage presents case studies from different regions in the world and establishes a framework for understanding, identifying, and analysing disaster risks to immovable cultural heritage.Featuring contributions from academics and practitioners from around the globe, the book presents a comprehensive view of the scholarship relating to cultural heritage, disaster risk preparedness, and post-disaster recovery.Particular attention is given to the complex and dynamic nature of disaster risks and how they evolve during different phases of a catastrophic event, especially as hazards can create secondary effects that have greater impacts on cultural heritage, infrastructure, and economy.Arguing that risk preparedness and mitigation have historically been secondary to reactive emergency and first aid response, the book demonstrates that preparedness plans based on sound risk assessments can prevent hazards from becoming disasters.Emphasising that the protection of cultural heritage through preparedness, mitigation actions, and risk adaptation measures – especially for climate change – can contribute to the resilience of societies, the book highlights the vital role of communities in such activities. Managing Disaster Risks to Cultural Heritage will be useful to students, professionals, and scholars studying and working with cultural heritage protection.It will be of particular interest to those working in the fields of Cultural Heritage, Archaeology, Conservation and Preservation, Sustainable Development, and Disaster Studies.
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Good Practices for Disaster Risk Management of Cultural Heritage : Practices of ITC Participants
This book is a selection of case studies undertaken by cultural heritage and disaster risk management professionals across the world demonstrating good practices for disaster risk management of cultural heritage. The readers will learn about the practical application of various methodologies, tools, and techniques for disaster risk assessment, mitigation, preparedness, response, and recovery of cultural heritage.They will also learn about the application of traditional knowledge and engagement of communities for disaster risk management of cultural heritage.This will help relevant organisations and professionals to develop and implement projects in this field. The intended audience for this book are Practitioners or site managers of cultural heritage sites and museums.Also, researchers and students studying disaster risk management of cultural heritage.The book will also be of interest to disaster risk management institutions at the urban, regional or national level/cultural heritage management institutions at the urban, regional or national level/city administration, municipalities, urban local bodies and planning departments/educational and research institutions which have specialised programmes in engineering, planning, disaster risk management, and conservation of cultural heritage.
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Risk
From the co-publisher of acclaimed poetry press Omnidawn, Risk engages directly with limitations, both those that structure the literal form of the poems and literary form and those that are both unavoidable and self-inflicted.In Risk, award-winning poet Rusty Morrison uses a constraining form of seven-syllable segments with breaks between to explore questions of limitation.In these poems, she is not just writing about constraints, but living inside and seeing how to manage them.In this way, the speaker of these poems actively experiences limitations as event, not aftermath.Drawing on the idea of philosopher and critic Hélène Cixous who writes that "the border makes up the homeland, it prohibits and gives passage in the same stroke," in Risk Morrison aims where the border and framings she uses offer understanding and where boundaries should be pushed against and passed beyond, as frightening as that might be.
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Risk
Risk compensation postulates that everyone has a "risk thermostat" and that safety measures that do not affect the setting of the thermostat will be circumvented by behaviour that re-establishes the level of risk with which people were originally comfortable.It explains why, for example, motorists drive faster after a bend in the road is straightened.Cultural theory explains risk-taking behaviour by the operation of cultural filters.It postulates that behaviour is governed by the probable costs and benefits of alternative courses of action which are perceived through filters formed from all the previous incidents and associations in the risk-taker's life.; "Risk" should be of interest to many readers throughout the social sciences and in the world of industry, business, engineering, finance and public administration, since it deals with a fundamental part of human behaviour that has enormous financial and economic implications.
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What is a cultural heritage?
Cultural heritage refers to the traditions, customs, beliefs, and artifacts that are passed down from generation to generation within a society. It encompasses the tangible and intangible aspects of a culture, including historical sites, monuments, art, music, language, and rituals. Cultural heritage plays a crucial role in shaping a community's identity and preserving its unique heritage for future generations. It is an important part of a society's history and contributes to its sense of belonging and continuity.
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Which risk do you prefer: normal risk or deluxe risk?
I prefer normal risk because it allows for a balance between potential reward and potential loss. Deluxe risk may offer higher potential rewards, but it also comes with a higher likelihood of significant loss. Normal risk allows for a more conservative approach to managing potential risks and rewards, which aligns with my preference for stability and security.
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Is the Drachenschanze a German cultural heritage site?
Yes, the Drachenschanze is considered a German cultural heritage site. It is a historic site in the Harz Mountains that has been preserved and protected due to its cultural significance. The Drachenschanze is a medieval fortification that played a role in the region's history, making it an important part of Germany's cultural heritage. Its historical and architectural significance has led to its recognition as a cultural heritage site in Germany.
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Does this website sell authentic jerseys and is it a risk to order from there?
It is difficult to determine if the website sells authentic jerseys without more specific information. However, when ordering from any website, there is always a risk of receiving counterfeit or low-quality products. It is important to research the website, read customer reviews, and look for any signs of authenticity, such as official licensing or authorized retailer status. Additionally, using secure payment methods and being cautious of deals that seem too good to be true can help mitigate the risk of ordering from an unknown website.
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Risk
We are living in a world in which the existence of risk is constantly debated, misinformation and disinformation are rife and spread quickly and easily through online media, and where governments and institutions continue to avoid taking decisive action even when there is general agreement that a serious threat exists.Understanding how people, social groups and social organizations understand, respond to and act on threats, hazards and dangers is more important than ever.In Risk, Deborah Lupton asserts the ongoing importance of the analysis of risk in our age of permacrisis and mounting scepticism about experts and science, calling for a ‘re-turn’ to risk theory in the social sciences. The book outlines the three major approaches to risk in social and cultural theory, devoting a chapter to each.The first approach draws upon the work of Mary Douglas to articulate the cultural/symbolic perspective on risk.The second approach is that of the risk society perspective, based on the writings of Ulrich Beck and Anthony Giddens.The third approach covered is that of the governmentality perspective, which builds on Michel Foucault’s work.Three other chapters examine in detail the relationship between concepts of risk and concepts of selfhood and the body, the notion of Otherness and how this influences the ways in which people respond to and think about risk, and the pleasures of voluntary risk-taking, including discussion of edgework.An entirely new chapter has been added to this edition, focusing on the risks posed by misinformation and denial in the context of climate change and the COVID-19 pandemic.This chapter discusses the politics of post-truth cultures and the powerful networks of actor and organizations that together work to challenge science and manufacture dissent against attempts to tackle these crises. This new edition of Risk is an essential introduction to the topic of risk for students and academics in the social sciences and humanities.
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A Heritage At Risk : The Canadian Militia As A Social Institution
In this comprehensive study of Canada's reserve army, the Militia, the author focuses on the regiment as both a civic and a triilitary institution that has declined in status and visibility since the country's armed services were unified in 1967. .
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X-Risk
How humanity came to contemplate its possible extinction. From forecasts of disastrous climate change to prophecies of evil AI superintelligences and the impending perils of genome editing, our species is increasingly concerned with the prospects of its own extinction.With humanity's future on this planet seeming more insecure by the day, in the twenty-first century, existential risk has become the object of a growing field of serious scientific inquiry.But, as Thomas Moynihan shows in X-Risk, this preoccupation is not exclusive to the post-atomic age of global warming and synthetic biology.Our growing concern with human extinction itself has a history.Tracing this untold story, Moynihan revisits the pioneers who first contemplated the possibility of human extinction and stages the historical drama of this momentous discovery.He shows how, far from being a secular reprise of religious prophecies of apocalypse, existential risk is a thoroughly modern idea, made possible by the burgeoning sciences and philosophical tumult of the Enlightenment era.In recollecting how we first came to care for our extinction, Moynihan reveals how today's attempts to measure and mitigate existential threats are the continuation of a project initiated over two centuries ago, which concerns the very vocation of the human as a rational, responsible, and future-oriented being.
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Zero Risk
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Is Drachenlord and the Drachengame considered German cultural heritage?
Drachenlord and the Drachengame are not officially recognized as German cultural heritage. While they may have gained a following and become a notable part of internet culture in Germany, they do not hold the same status as traditional cultural elements such as literature, music, or art that are typically associated with being part of a country's cultural heritage. Additionally, the controversial nature of Drachenlord and the Drachengame may make it less likely to be officially recognized as cultural heritage.
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Is the Drachenlord and the Drachengame German cultural heritage?
The Drachenlord and the Drachengame are not considered German cultural heritage in the traditional sense. They are more of a modern internet phenomenon that has gained popularity in certain online communities. While they may have a following and be part of contemporary German internet culture, they do not hold the same historical or cultural significance as traditional German heritage sites or practices.
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Should I take a second risk and risk a second rejection?
Taking a second risk and risking a second rejection can be a difficult decision. It's important to consider the potential benefits of taking the risk, as well as the potential consequences of facing rejection again. If the potential rewards outweigh the potential negative outcomes, and if you believe that the risk is worth taking, then it may be worth considering taking the second risk. However, it's also important to take into account your emotional well-being and to consider whether you are prepared to handle another rejection. Ultimately, the decision to take a second risk is a personal one and should be carefully considered based on your individual circumstances.
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Would you risk it?
As an AI, I do not have the capacity to take risks or make decisions based on emotions or personal preferences. However, I can provide information and analysis to help individuals make informed decisions about whether or not to take risks based on their own circumstances and risk tolerance. Ultimately, the decision to take a risk depends on the potential benefits, the likelihood of success, and the individual's willingness to accept the potential consequences.
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