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Cultural, Existential and Phenomenological Dimensions of Grief Experience
This innovative volume examines the phenomenological, existential and cultural dimensions of grief experiences.It draws on perspectives from philosophy, psychology and sociocultural studies to focus on the experiential dimension of grief, moving beyond understanding from a purely mental health and psychiatry perspective. The book considers individual, shared and collective experiences of loss.Chapters explore the intersections between the profound existential experiences of bereavement and how this is mediated by sociocultural norms and practices.It points to new directions for the future conceptualization and study of grief, particularly in the experiential dimension. Drawing on a range of interdisciplinary perspectives, this important book will appeal to academics, researchers and students in the fields of death and bereavement studies, wellbeing and mental health, philosophy and phenomenological studies.
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The Translation of Experience : Cultural Artefacts in Experiential Translation
Experience is a multilayered, cumulative affair with transformation at its core.Its study, a necessary first step for its translation, requires an exploration of embodiment, the senses, and cultural and social environments. The second of two volumes, this book explores how artefacts, as outcomes of experience brought about by the ‘artistranslator’ perform semiotic work.This semiotic work arises through the intervention of their makers but also through their viewers/audience, often through the latter’s direct participation in the artefacts’ creation, which we see as an open-ended process.Drawing on diverse examples from across the world, the chapters explore visual materiality, the digital world and the multisensory nature of artefacts such as monuments, festivals, theatre performances, artworks, religious rituals, the urban environment and human bodies—the embodied perception of which may draw holistically or variously on the sense of on the sense of touch, the olfactory, auditory, kinetic or kinaesthetic senses.Throughout the book, experiential translation is framed as a political endeavour that allows experience to be shared across linguistic, cultural, generational or gendered divides in the form of artefacts that facilitate transformation and the acquisition of knowledge. This book and its companion volume The Experience of Translation: Materiality and Play in Experiential Translation includes an international range of contributions from graduate students and early career researchers (ECRs) to tenured academics in translation studies, performance arts, fine arts, media and cultural studies, comparative studies, as well as educators, artists and curators.It will be of particular interest to translators and arts practitioners, scholars and researchers in the transdisciplinary field of humanities.
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Experience
'Martin Amis is a seriously good writer, and never on better form than now.Experience, the book of his life, may be the book of his life' Daily Telegraph **ONE OF THE GUARDIAN'S 100 BEST BOOKS OF THE 21st CENTURY** In this remarkable work of autobiography, the son of the great comic novelist Kingsley Amis explores his relationship with his father and writes about the various crises of Kingsley's life, including the final one of his death. Amis also reflects on the life and legacy of his cousin, Lucy Partington, who disappeared without trace in 1973 and was exhumed twenty years later from the basement of Frederick West, one of Britain's most prolific serial murderers.
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Kabbalah Experience : The Definitive Q&A Guide to Authentic Kabbalah
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What is a cultural heritage?
Cultural heritage refers to the traditions, customs, beliefs, and artifacts that are passed down from generation to generation within a society. It encompasses the tangible and intangible aspects of a culture, including historical sites, monuments, art, music, language, and rituals. Cultural heritage plays a crucial role in shaping a community's identity and preserving its unique heritage for future generations. It is an important part of a society's history and contributes to its sense of belonging and continuity.
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Is the Drachenschanze a German cultural heritage site?
Yes, the Drachenschanze is considered a German cultural heritage site. It is a historic site in the Harz Mountains that has been preserved and protected due to its cultural significance. The Drachenschanze is a medieval fortification that played a role in the region's history, making it an important part of Germany's cultural heritage. Its historical and architectural significance has led to its recognition as a cultural heritage site in Germany.
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Is Drachenlord and the Drachengame considered German cultural heritage?
Drachenlord and the Drachengame are not officially recognized as German cultural heritage. While they may have gained a following and become a notable part of internet culture in Germany, they do not hold the same status as traditional cultural elements such as literature, music, or art that are typically associated with being part of a country's cultural heritage. Additionally, the controversial nature of Drachenlord and the Drachengame may make it less likely to be officially recognized as cultural heritage.
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Is the Drachenlord and the Drachengame German cultural heritage?
The Drachenlord and the Drachengame are not considered German cultural heritage in the traditional sense. They are more of a modern internet phenomenon that has gained popularity in certain online communities. While they may have a following and be part of contemporary German internet culture, they do not hold the same historical or cultural significance as traditional German heritage sites or practices.
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Architecture and Cultural Continuity : The Making of Festival, Experience and Historicity
Architecture and Cultural Continuity explores a dynamic way of viewing architecture – arguing that all architecture is best evaluated through active experiences in relation to cultural traditions of community and belonging, space, ritual, and setting. A work in three parts, the book first analyses in-depth the Festival of San Giovanni in Florence, an annual series of celebrations involving the entire city.Tracing its history from its Roman origins via the Renaissance through to contemporary times, this case study is used to explore ideas of continuity and tradition and how these shape and are shaped by architecture and the city.Part 2 gathers theoretical tools from philosophy, anthropology, and performance studies to offer a framework for the appraisal of architecture – whether engaged in festival or simply part of the background to everyday life – as experience rather than form.The final part presents historic and contemporary case studies to explain the theory in practice, from Lord Leighton’s House in London to Beit Beirut in Lebanon, and from Salisbury’s medieval Chapterhouse to the contemporary Australian Parliament building. Written for architectural theorists, historians, and designers alike, this book will allow the reader to assess architecture in a way that re-addresses aspects of history often obscured by post-enlightenment thinking, and reveals an architecture rooted in cultural traditions better able to contribute to the diverse communities of the future.
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Transformative Experience
As we live our lives, we repeatedly make decisions that shape our future circumstances and affect the sort of person we will be.When choosing whether to start a family, or deciding on a career, we often think we can assess the options by imagining what different experiences would be like for us.L. A. Paul argues that, for choices involving dramatically new experiences, we are confronted by the brute fact that we can know very little about our subjective futures.This has serious implications for our decisions. If we make life choices in the way we naturally and intuitively want to--by considering what we care about, and what our future selves will be like if we choose to have the experience--we only learn what we really need to know after we have already committed ourselves.If we try to escape the dilemma by avoiding an experience, we have still made a choice.Choosing rationally, then, may require us to regard big life decisions as choices to make discoveries, small and large, about the intrinsic nature of experience, and to recognize that part of the value of living authentically is to experience one's life and preferences in whatever way they may evolve in the wake of the choices you make.Using classic philosophical examples about the nature of consciousness, and drawing on recent work in normative decision theory, cognitive science, epistemology, and the philosophy of mind, Paul develops a rigorous account of transformative experience that sheds light on how we should understand real-world experience and our capacity to rationally map our subjective futures.
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Women Who Walk the Talk : Experience the Freedom of Authentic Self-Expression
In her highly motivating and informative book Women Who Walk the Talk, author M.K.Jones encourages women to embrace their potential for independent thought and action.Step by step she shows women how to use authentic self-expression along with effective communication skills, compassion, and respect for the dignity of others to pursue their passion with confidence.She inspires women to love themselves as unique individuals with invaluable talents to share with the world. Women Who Walk the Talk is the ideal read for any woman seeking meaning, enlightenment, and joy as well as the precise tools for success in our fast-paced and continually changing global society.
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Experience And Education
Experience and Educationis the best concise statement on education ever published by John Dewey, the man acknowledged to be the pre-eminent educational theorist of the twentieth century.Written more than two decades after Democracy and Education(Dewey's most comprehensive statement of his position in educational philosophy), this book demonstrates how Dewey reformulated his ideas as a result of his intervening experience with the progressive schools and in the light of the criticisms his theories had received.Analysing both "traditional" and "progressive" education, Dr. Dewey here insists that neither the old nor the new education is adequate and that each is miseducative because neither of them applies the principles of a carefully developed philosophy of experience.Many pages of this volume illustrate Dr. Dewey's ideas for a philosophy of experience and its relation to education.He particularly urges that all teachers and educators looking for a new movement in education should think in terms of the deeped and larger issues of education rather than in terms of some divisive "ism" about education, even such an "ism" as "progressivism." His philosophy, here expressed in its most essential, most readable form, predicates an American educational system that respects all sources of experience, on that offers a true learning situation that is both historical and social, both orderly and dynamic.
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Do you have experience with the Au Pair organizations AIFS or Cultural Care?
As an AI, I do not have personal experience with Au Pair organizations such as AIFS or Cultural Care. However, I have access to a wide range of information and can provide details about these organizations, their programs, and the experiences of others who have participated in their Au Pair programs. If you have specific questions about these organizations, feel free to ask and I can provide you with the information you need.
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What does cultural appropriation of Bavarian traditional clothing look like?
Cultural appropriation of Bavarian traditional clothing can look like non-Bavarian individuals wearing traditional Bavarian garments, such as dirndls and lederhosen, without understanding or respecting the cultural significance behind these items. It can also involve using these traditional clothing items in a disrespectful or caricatured manner, such as wearing them as costumes for entertainment purposes without understanding their historical and cultural significance. Additionally, cultural appropriation of Bavarian traditional clothing can occur when these garments are mass-produced and sold without proper acknowledgment or compensation to the Bavarian communities from which they originate.
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What does handcrafted mean?
Handcrafted refers to items that are made by hand, often by skilled artisans or craftspeople. These items are typically created with attention to detail, care, and craftsmanship, resulting in unique and high-quality products. Handcrafted items often showcase the individuality and creativity of the maker, and can be valued for their authenticity and personal touch.
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Why is Currywurst considered a German cultural heritage, even though curry comes from India?
Currywurst is considered a German cultural heritage because it was invented in Germany and has become a beloved and iconic dish in the country. The combination of curry and sausage was created in Berlin in 1949 by Herta Heuwer, and it quickly gained popularity throughout Germany. While curry is indeed a spice that originated in India, the unique blend of curry sauce and sausage in Currywurst reflects the culinary fusion and adaptation that occurs when different cultures interact. As a result, Currywurst has become a symbol of German culinary tradition and cultural identity.
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