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Digital Cultural Heritage
This book provides an overview of various application spheres and supports further innovations needed in information management and in the processes of knowledge generation.The professions, organizations and scientific associations involved are unusually challenged by the complexity of the data situation.Cartography has always been the central field of application for georeferencing digital cultural heritage (DCH) objects.It is particularly important in enabling spatial relation analysis between any number of DCH objects or of their granular details.In addition to the pure geometric aspects, the cognitive relations that lead to knowledge representation and derivation of innovative use processes are also of increasing importance.Further, there is a societal demand for spatial reference and analytics (e.g. the extensive use of cognitive concepts of "map" and "atlas" for a variety of social topics in the media).There is a huge geometrical-logical-cognitive potential for complex, multimedia, digital-cultural-heritage databases and stakeholders expect handling, transmission and processing operations with guaranteed long-term availability for all other stakeholders.In the future, whole areas of digital multimedia databases will need to be processed to further our understanding of historical and cultural contexts.This is an important concern for the information society and presents significant challenges for cartography in all these domains. This book collects innovative technical and scientific work on the entire process of object digitization, including detail extraction, archiving and interoperability of multimedia DCH data.
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Gaziantep Handcrafted Authentic Tumbled Antique Copper Color 3 Pcs Copper Coffee Pot Set
Turkish coffee, which has a special place in Turkish society, has its unique aroma and smell. and the way it is presented is a culture in itself. Copper coffee pots of Turkish coffee It makes cooking more delicious. Turkish made in a copper coffee pot The coffee is more delicious than the coffee made in a steel coffee pot. known. For the most delicious and foamy Turkish coffee, you should use a copper coffee pot and cook it in a slow fire. You have to prepare the coffee by cooking it. Our handmade copper coffee pots are 1-1.5 mm thick according to their intended use. It is made of copper. The engravings on them are made by our copper masters. It is prepared by using chisel method and forging technique and presented to you. It is tinned inside for long-term and healthy use. Dimensions: Coffee Pot Capacities: 2/4/6 persons height : 7/8/9cm diameter : 8/9/10cm Material : copper color :Antique Copper Color thickness: 1mmThe tradition of Turkish coffee, the hospitality that permeates every aspect of life, It is a symbol of friendship and kindness. Private visits such as family visits, friend meetings, business meetings, marriage You can use our handmade coffee pots to prepare your coffee on your days. Copper pots on our site for use with our handmade copper coffee pots. You can also examine our cups, coffee sets and Turkish delight holders. 1. IMG_2295.jpg (13KB)
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Gaziantep Handcrafted Authentic Tumbled Antique Copper Color 3 Pcs Copper Coffee Pot Set
Turkish coffee, which has a special place in Turkish society, has its unique aroma and smell. and the way it is presented is a culture in itself. Copper coffee pots of Turkish coffee It makes cooking more delicious. Turkish made in a copper coffee pot The coffee is more delicious than the coffee made in a steel coffee pot. known. For the most delicious and foamy Turkish coffee, you should use a copper coffee pot and cook it in a slow fire. You have to prepare the coffee by cooking it. Our handmade copper coffee pots are 1-1.5 mm thick according to their intended use. It is made of copper. The engravings on them are made by our copper masters. It is prepared by using chisel method and forging technique and presented to you. It is tinned inside for long-term and healthy use. Dimensions: Coffee Pot Capacities: 2/4/6 persons height : 7/8/9cm diameter : 8/9/10cm Material : copper color :Antique Copper Color thickness: 1mmThe tradition of Turkish coffee, the hospitality that permeates every aspect of life, It is a symbol of friendship and kindness. Private visits such as family visits, friend meetings, business meetings, marriage You can use our handmade coffee pots to prepare your coffee on your days. Copper pots on our site for use with our handmade copper coffee pots. You can also examine our cups, coffee sets and Turkish delight holders. 1. IMG_2295.jpg (13KB)
Price: 245.99 € | Shipping*: 0.0 € -
Gaziantep Handcrafted Authentic Tumbled Antique Copper Color 3 Pcs Copper Coffee Pot Set
Turkish coffee, which has a special place in Turkish society, has its unique aroma and smell. and the way it is presented is a culture in itself. Copper coffee pots of Turkish coffee It makes cooking more delicious. Turkish made in a copper coffee pot The coffee is more delicious than the coffee made in a steel coffee pot. known. For the most delicious and foamy Turkish coffee, you should use a copper coffee pot and cook it in a slow fire. You have to prepare the coffee by cooking it. Our handmade copper coffee pots are 1-1.5 mm thick according to their intended use. It is made of copper. The engravings on them are made by our copper masters. It is prepared by using chisel method and forging technique and presented to you. It is tinned inside for long-term and healthy use. Dimensions: Coffee Pot Capacities: 2/4/6 persons height : 7/8/9cm diameter : 8/9/10cm Material : copper color :Antique Copper Color thickness: 1mmThe tradition of Turkish coffee, the hospitality that permeates every aspect of life, It is a symbol of friendship and kindness. Private visits such as family visits, friend meetings, business meetings, marriage You can use our handmade coffee pots to prepare your coffee on your days. Copper pots on our site for use with our handmade copper coffee pots. You can also examine our cups, coffee sets and Turkish delight holders. 1. IMG_2295.jpg (13KB)
Price: 168.98 £ | Shipping*: 0.0 £
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What is a cultural heritage?
Cultural heritage refers to the traditions, customs, beliefs, and artifacts that are passed down from generation to generation within a society. It encompasses the tangible and intangible aspects of a culture, including historical sites, monuments, art, music, language, and rituals. Cultural heritage plays a crucial role in shaping a community's identity and preserving its unique heritage for future generations. It is an important part of a society's history and contributes to its sense of belonging and continuity.
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Is the Drachenschanze a German cultural heritage site?
Yes, the Drachenschanze is considered a German cultural heritage site. It is a historic site in the Harz Mountains that has been preserved and protected due to its cultural significance. The Drachenschanze is a medieval fortification that played a role in the region's history, making it an important part of Germany's cultural heritage. Its historical and architectural significance has led to its recognition as a cultural heritage site in Germany.
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Is Drachenlord and the Drachengame considered German cultural heritage?
Drachenlord and the Drachengame are not officially recognized as German cultural heritage. While they may have gained a following and become a notable part of internet culture in Germany, they do not hold the same status as traditional cultural elements such as literature, music, or art that are typically associated with being part of a country's cultural heritage. Additionally, the controversial nature of Drachenlord and the Drachengame may make it less likely to be officially recognized as cultural heritage.
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Is the Drachenlord and the Drachengame German cultural heritage?
The Drachenlord and the Drachengame are not considered German cultural heritage in the traditional sense. They are more of a modern internet phenomenon that has gained popularity in certain online communities. While they may have a following and be part of contemporary German internet culture, they do not hold the same historical or cultural significance as traditional German heritage sites or practices.
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Cultural Heritage and the Future
Cultural Heritage and the Future brings together an international group of scholars and experts to consider the relationship between cultural heritage and the future. Drawing on case studies from around the world, the contributing authors insist that cultural heritage and the future are intimately linked and that the development of futures thinking should be a priority for academics, students and those working in the wider professional heritage sector.Until recently, the future has never attracted substantial research and debate within heritage studies and heritage management, and this book addresses this gap by offering a balance of theoretical and empirical content that will stimulate multidisciplinary debate in the burgeoning field of critical heritage studies. Cultural Heritage and the Future questions the role of heritage in future making and will be of great relevance to academics and students working in the fields of museum and heritage studies, archaeology, anthropology, architecture, conservation studies, sociology, history and geography.Those working in the heritage professions will also find much to interest them within the pages of this book.
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Cultural Heritage and Mass Atrocities
A pathbreaking call to halt the intertwined crises of cultural heritage attacks and mass atrocities and mobilize international efforts to protect people and cultures. Intentional destruction of cultural heritage has a long history.Contemporary examples include the Bamiyan Buddhas in Afghanistan, mosques in Xinjiang, mausoleums in Timbuktu, and Greco-Roman remains in Syria.Cultural heritage destruction invariably accompanies assaults on civilians, making heritage attacks impossible to disentangle from the mass atrocities of genocide, war crimes, crimes against humanity, and ethnic cleansing.Both seek to eliminate people and the heritage with which they identify.Cultural Heritage and Mass Atrocities assembles essays by thirty-eight experts from the heritage, social science, humanitarian, legal, and military communities.Focusing on immovable cultural heritage vulnerable to attack, the volume's guiding framework is the Responsibility to Protect (R2P), a United Nations resolution adopted unanimously in 2005 to permit international intervention against crimes of war or genocide.Based on the three pillars of prevent, react, and rebuild, R2P offers today's policymakers a set of existing laws and international norms that can and--as this book argues--must be extended to the protection of cultural heritage.Contributions consider the global value of cultural heritage and document recent attacks on people and sites in China, Guatemala, Iraq, Mali, Sri Lanka and Afghanistan, Syria, and Yemen.Comprehensive sections on vulnerable populations as well as the role of international law and the military offer readers critical insights and point toward research, policy, and action agendas to protect both people and cultural heritage.A concise abstract of each chapter is offered online in Arabic, Chinese, French, Russian, and Spanish to facilitate robust, global dissemination of the strategies and tactics offered in this pathbreaking call to action. The free online edition of this publication is available at getty.edu/publications/cultural-heritage-mass-atrocities.Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book.
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Analytical Chemistry for Cultural Heritage
The series Topics in Current Chemistry Collections presents critical reviews from the journal Topics in Current Chemistry organized in topical volumes.The scope of coverage is all areas of chemical science including the interfaces with related disciplines such as biology, medicine and materials science.The goal of each thematic volume is to give the non-specialist reader, whether in academia or industry, a comprehensive insight into an area where new research is emerging which is of interest to a larger scientific audience.Each review within the volume critically surveys one aspect of that topic and places it within the context of the volume as a whole.The most significant developments of the last 5 to 10 years are presented using selected examples to illustrate the principles discussed.The coverage is not intended to be an exhaustive summary of the field or include large quantities of data, but should rather be conceptual, concentrating on the methodological thinking that will allow the non-specialist reader to understand the information presented.Contributions also offer an outlook on potential future developments in the field.
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The Cultural Heritage of Meghalaya
The state of Meghalaya, formed on 21 January 1972, is a state of fascinating socio-cultural significance.Its heritage can be traced from the prehistoric times of Stone Age upto the present.Though comprising mainly of the matrilineal Khasi, Garo, and Jaintia tribes – the state also houses many other lesser known communities such as the Hajong, Sakachep, Biate, Koch, Dalu, Margnar and the Nepali.All these communities find voice in this volume. The Cultural Heritage of Meghalaya looks at the state of Meghalaya exhaustively from the perspective of heritage documentation and maintenance.
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Can People of Color wear Lederhosen or does that border on cultural appropriation?
While Lederhosen are traditionally associated with Bavarian culture in Germany, it is important to consider the context in which they are worn by People of Color. If a person of color is wearing Lederhosen as a way to appreciate or celebrate German culture, it may not necessarily be seen as cultural appropriation. However, if it is worn without understanding or respect for the cultural significance of the garment, it could be considered inappropriate. Ultimately, it is important to be mindful of the cultural context and history behind the clothing when deciding whether or not it is appropriate to wear.
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Can People of Color wear Lederhosen or is that already considered cultural appropriation?
Lederhosen are traditional German clothing typically worn by men in Bavaria. While it is important to be respectful of cultural traditions and practices, there is no strict rule that only individuals of German descent can wear Lederhosen. People of Color can wear Lederhosen as long as they do so in a respectful manner and are aware of the cultural significance behind the clothing. It is always important to be mindful of the cultural context and history when choosing to wear traditional clothing from a different culture.
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Can People of Color wear Lederhosen, or does that border on cultural appropriation?
Lederhosen are traditional German clothing, and while they are not exclusive to people of German descent, wearing them as a person of color may be seen as appropriating German culture. It is important to be mindful of the cultural significance of certain clothing and to respect the origins and traditions associated with them. If a person of color chooses to wear Lederhosen, it is important to do so with respect and understanding of the cultural context in which they originate.
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What does cultural appropriation of Bavarian traditional clothing look like?
Cultural appropriation of Bavarian traditional clothing can look like non-Bavarian individuals wearing traditional Bavarian garments, such as dirndls and lederhosen, without understanding or respecting the cultural significance behind these items. It can also involve using these traditional clothing items in a disrespectful or caricatured manner, such as wearing them as costumes for entertainment purposes without understanding their historical and cultural significance. Additionally, cultural appropriation of Bavarian traditional clothing can occur when these garments are mass-produced and sold without proper acknowledgment or compensation to the Bavarian communities from which they originate.
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