Products related to Animals:
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Pom-Pom Forest Animals : Craft an Artisan Yarn Menagerie
Craft whimsical, fluffy Pompom forest animals with a realistic finish!Create an artisan craft project with detailed instructions that will make you smile at every stage--perfect whether you're a creative enthusiast or new to pom-pom creations.There are 12 different forest animal projects that include a deer, fox, rabbit, owl, squirrel, and many more!This book offers all the tips, instructions, and images you need to make your own forest of friends.Instructions include how to create a furry texture from yarn scraps and trim materials to sculpt and define each animal's unique shape.Get creative today with Pom-pom Forest Animals and make something special!
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Digital Cultural Heritage
This book provides an overview of various application spheres and supports further innovations needed in information management and in the processes of knowledge generation.The professions, organizations and scientific associations involved are unusually challenged by the complexity of the data situation.Cartography has always been the central field of application for georeferencing digital cultural heritage (DCH) objects.It is particularly important in enabling spatial relation analysis between any number of DCH objects or of their granular details.In addition to the pure geometric aspects, the cognitive relations that lead to knowledge representation and derivation of innovative use processes are also of increasing importance.Further, there is a societal demand for spatial reference and analytics (e.g. the extensive use of cognitive concepts of "map" and "atlas" for a variety of social topics in the media).There is a huge geometrical-logical-cognitive potential for complex, multimedia, digital-cultural-heritage databases and stakeholders expect handling, transmission and processing operations with guaranteed long-term availability for all other stakeholders.In the future, whole areas of digital multimedia databases will need to be processed to further our understanding of historical and cultural contexts.This is an important concern for the information society and presents significant challenges for cartography in all these domains. This book collects innovative technical and scientific work on the entire process of object digitization, including detail extraction, archiving and interoperability of multimedia DCH data.
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A Cultural History of Animals in the Age of Empire
A Choice Outstanding Academic Title, 2008 A Cultural History of Animals in the Age of Empire explores the cultural position of animals in the period from 1800 to 1920.This was a time of extraordinary social, political and economic change as the Western world rapidly industrialized and modernized.The Enlightenment had attempted to define the human self; the Age of Empire pulled animals and humans further apart.A Cultural History of Animals in the Age of Empire presents an overview of the period and continues with essays on the position of animals in contemporary symbolism, hunting, domestication, sports and entertainment, science, philosophy, and art.
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Live, Die, Buy, Eat : A Cultural History of Animals and Meat
Live, Die, Buy, Eat. These words represent a chain of events which today is disconnected.In the past few years, controversies around meat have arisen around industrialization and globalization of meat production, often pivoting around health, environmental issues, and animal welfare.Although meat increasingly figures as a problem, most consumers’ knowledge of animal husbandry and meat production is more absent than ever.Tracing a historical process of alienation along three distinct axes, the authors show how the animal origin of meat is covered up, rationalized, forgotten, excused, neglected, and denied.How is meat produced today, and where? How do we consume meat, and how have our consumption habits changed?Why have these changes occurred, and what are the social and cultural consequences of these changes?Using Norway as a case study, this book examines the dramatic changes in meat production and consumption over the last 150 years.With a wide range of historical sources, together with interviews and observation at farms, slaughterhouses, and production units, as well as analyses of contemporary texts and digital sources, Live, Die, Buy, Eat explores the transformation of animal husbandry, meat production and consumption, together with its cultural consequences.It will appeal to scholars of anthropology, sociology, cultural studies, geography, and history with an interest in food, agriculture, environment, and culture.
Price: 39.99 £ | Shipping*: 0.00 £
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What is a cultural heritage?
Cultural heritage refers to the traditions, customs, beliefs, and artifacts that are passed down from generation to generation within a society. It encompasses the tangible and intangible aspects of a culture, including historical sites, monuments, art, music, language, and rituals. Cultural heritage plays a crucial role in shaping a community's identity and preserving its unique heritage for future generations. It is an important part of a society's history and contributes to its sense of belonging and continuity.
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Is the Drachenschanze a German cultural heritage site?
Yes, the Drachenschanze is considered a German cultural heritage site. It is a historic site in the Harz Mountains that has been preserved and protected due to its cultural significance. The Drachenschanze is a medieval fortification that played a role in the region's history, making it an important part of Germany's cultural heritage. Its historical and architectural significance has led to its recognition as a cultural heritage site in Germany.
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Is Drachenlord and the Drachengame considered German cultural heritage?
Drachenlord and the Drachengame are not officially recognized as German cultural heritage. While they may have gained a following and become a notable part of internet culture in Germany, they do not hold the same status as traditional cultural elements such as literature, music, or art that are typically associated with being part of a country's cultural heritage. Additionally, the controversial nature of Drachenlord and the Drachengame may make it less likely to be officially recognized as cultural heritage.
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Is the Drachenlord and the Drachengame German cultural heritage?
The Drachenlord and the Drachengame are not considered German cultural heritage in the traditional sense. They are more of a modern internet phenomenon that has gained popularity in certain online communities. While they may have a following and be part of contemporary German internet culture, they do not hold the same historical or cultural significance as traditional German heritage sites or practices.
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What Is Extinction? : A Natural and Cultural History of Last Animals
WINNER, 25th ANNUAL SUSANNE M. GLASSCOCK BOOK PRIZELife on Earth is facing a mass extinction event of our own making.Human activity is changing the biology and the meaning of extinction.What Is Extinction? examines several key moments that have come to define the terms of extinction over the past two centuries, exploring instances of animal and human finitude and the cultural forms used to document and interpret these events. Offering a critical theory for the critically endangered, Joshua Schuster proposes that different discourses of limits and lastness appear in specific extinction events over time as a response to changing attitudes toward species frailty.Understanding these extinction events also involves examining what happens when the conceptual and cultural forms used to account for species finitude are pressed to their limits as well.Schuster provides close readings of several case studies of extinction that bring together environmental humanities and multispecies methods with media-specific analyses at the terminus of life. What Is Extinction? delves into the development of last animal photography, the anthropological and psychoanalytic fascination with human origins and ends, the invention of new literary genres of last fictions, the rise of new extreme biopolitics in the Third Reich that attempted to change the meaning of extinction, and the current pursuit of de-extinction technologies.Schuster offers timely interpretations of how definitions and visions of extinction have changed in the past and continue to change in the present.
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The Cultural Heritage of Meghalaya
The state of Meghalaya, formed on 21 January 1972, is a state of fascinating socio-cultural significance.Its heritage can be traced from the prehistoric times of Stone Age upto the present.Though comprising mainly of the matrilineal Khasi, Garo, and Jaintia tribes – the state also houses many other lesser known communities such as the Hajong, Sakachep, Biate, Koch, Dalu, Margnar and the Nepali.All these communities find voice in this volume. The Cultural Heritage of Meghalaya looks at the state of Meghalaya exhaustively from the perspective of heritage documentation and maintenance.
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Analytical Chemistry for Cultural Heritage
The series Topics in Current Chemistry Collections presents critical reviews from the journal Topics in Current Chemistry organized in topical volumes.The scope of coverage is all areas of chemical science including the interfaces with related disciplines such as biology, medicine and materials science.The goal of each thematic volume is to give the non-specialist reader, whether in academia or industry, a comprehensive insight into an area where new research is emerging which is of interest to a larger scientific audience.Each review within the volume critically surveys one aspect of that topic and places it within the context of the volume as a whole.The most significant developments of the last 5 to 10 years are presented using selected examples to illustrate the principles discussed.The coverage is not intended to be an exhaustive summary of the field or include large quantities of data, but should rather be conceptual, concentrating on the methodological thinking that will allow the non-specialist reader to understand the information presented.Contributions also offer an outlook on potential future developments in the field.
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Cultural Heritage and Mass Atrocities
A pathbreaking call to halt the intertwined crises of cultural heritage attacks and mass atrocities and mobilize international efforts to protect people and cultures. Intentional destruction of cultural heritage has a long history.Contemporary examples include the Bamiyan Buddhas in Afghanistan, mosques in Xinjiang, mausoleums in Timbuktu, and Greco-Roman remains in Syria.Cultural heritage destruction invariably accompanies assaults on civilians, making heritage attacks impossible to disentangle from the mass atrocities of genocide, war crimes, crimes against humanity, and ethnic cleansing.Both seek to eliminate people and the heritage with which they identify.Cultural Heritage and Mass Atrocities assembles essays by thirty-eight experts from the heritage, social science, humanitarian, legal, and military communities.Focusing on immovable cultural heritage vulnerable to attack, the volume's guiding framework is the Responsibility to Protect (R2P), a United Nations resolution adopted unanimously in 2005 to permit international intervention against crimes of war or genocide.Based on the three pillars of prevent, react, and rebuild, R2P offers today's policymakers a set of existing laws and international norms that can and--as this book argues--must be extended to the protection of cultural heritage.Contributions consider the global value of cultural heritage and document recent attacks on people and sites in China, Guatemala, Iraq, Mali, Sri Lanka and Afghanistan, Syria, and Yemen.Comprehensive sections on vulnerable populations as well as the role of international law and the military offer readers critical insights and point toward research, policy, and action agendas to protect both people and cultural heritage.A concise abstract of each chapter is offered online in Arabic, Chinese, French, Russian, and Spanish to facilitate robust, global dissemination of the strategies and tactics offered in this pathbreaking call to action. The free online edition of this publication is available at getty.edu/publications/cultural-heritage-mass-atrocities.Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book.
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Which animals are both pack animals and solitary animals?
Wolves are animals that exhibit both pack behavior and solitary behavior. While they are known for living and hunting in packs, wolves are also capable of surviving on their own when necessary. They may temporarily leave the pack to search for food or establish their own territory. This ability to adapt to different social structures makes wolves unique in their behavior as both pack animals and solitary animals.
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Do animals resemble other animals?
Yes, animals can resemble other animals in various ways. This can be due to evolutionary relationships, convergent evolution, or simply sharing similar ecological niches. For example, dolphins and sharks have similar streamlined body shapes due to their shared aquatic lifestyle, despite being very distantly related. Similarly, the thylacine, a now-extinct marsupial, had a striking resemblance to a wolf or dog, despite being a completely different type of mammal. Overall, there are many examples of animals resembling each other in different ways.
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Can animals rape other animals?
Yes, animals can engage in non-consensual sexual behavior, which can be considered a form of rape. This behavior is often observed in certain species where males may use force or coercion to mate with females. For example, male dolphins have been known to exhibit aggressive and coercive behavior towards females, and male ducks have been observed to force copulation on females. These instances of non-consensual sexual behavior in animals are a result of natural instincts and mating strategies, but they can be considered a form of sexual violence.
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According to Arnold Gehlen, animals are neither deficient beings nor cultural beings.
According to Arnold Gehlen, animals are neither deficient beings nor cultural beings. Gehlen argues that animals are not deficient because they are well-adapted to their environments and have their own unique ways of interacting with the world. At the same time, he also argues that animals are not cultural beings because they do not possess the capacity for symbolic communication and the creation of complex social structures. Instead, Gehlen sees animals as existing in a middle ground between deficiency and culture, with their own distinct mode of being in the world.
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