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The Mola : Traditional Kuna Textile Art
The mola is a multilayered textile art form and metaphor for the story of the Kuna, indigenous people of Panama.With over 890 images covering more than a century of molas, this book provides insights into design sources and influences for molas, perspectives on the aesthetic practices of women creating them, and hints for collecting and preserving this colorful textile art form.The hand-appliquéd art panels tell the tale of the Kuna women and are symbolic of their artistry, observation, and beliefs.Their lush tropical paradise, cultural cosmology, sense of humor, and exposure to foreign elements are represented in these fascinating fabric designs.A brief history of Panama and its rich tradition of indigenous arts place the mola in context.
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Africa in Fashion : Luxury, Craft and Textile Heritage
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Digital Cultural Heritage
This book provides an overview of various application spheres and supports further innovations needed in information management and in the processes of knowledge generation.The professions, organizations and scientific associations involved are unusually challenged by the complexity of the data situation.Cartography has always been the central field of application for georeferencing digital cultural heritage (DCH) objects.It is particularly important in enabling spatial relation analysis between any number of DCH objects or of their granular details.In addition to the pure geometric aspects, the cognitive relations that lead to knowledge representation and derivation of innovative use processes are also of increasing importance.Further, there is a societal demand for spatial reference and analytics (e.g. the extensive use of cognitive concepts of "map" and "atlas" for a variety of social topics in the media).There is a huge geometrical-logical-cognitive potential for complex, multimedia, digital-cultural-heritage databases and stakeholders expect handling, transmission and processing operations with guaranteed long-term availability for all other stakeholders.In the future, whole areas of digital multimedia databases will need to be processed to further our understanding of historical and cultural contexts.This is an important concern for the information society and presents significant challenges for cartography in all these domains. This book collects innovative technical and scientific work on the entire process of object digitization, including detail extraction, archiving and interoperability of multimedia DCH data.
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Industrial Textile Ceramic Industrial Textile Ceramic
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Are these textile beetles?
Without a specific image or description of the beetles in question, it is difficult to determine if they are textile beetles. Textile beetles, such as the varied carpet beetle and the black carpet beetle, are known for infesting and damaging textiles, carpets, and other natural fibers. If you suspect that you have textile beetles, it is best to consult with a pest control professional for proper identification and treatment.
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What is retail textile?
Retail textile refers to the sale of fabrics, clothing, and other textile products directly to consumers through physical stores or online platforms. This sector includes a wide range of products such as apparel, home textiles, and accessories. Retail textile businesses often source their products from manufacturers and wholesalers, and then sell them to individual customers for personal use. The retail textile industry plays a significant role in the global economy and offers a diverse array of products to meet consumer needs and preferences.
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Is textile dye toxic?
Some textile dyes can be toxic, as they may contain harmful chemicals such as heavy metals, formaldehyde, and azo compounds. These toxic chemicals can have negative effects on human health and the environment, especially if they are not properly managed during the dyeing process and disposal. However, there are also eco-friendly and non-toxic textile dyes available that use natural and sustainable ingredients, making them a safer option for both consumers and the environment. It is important for consumers to be aware of the potential toxicity of textile dyes and to choose products that are certified as non-toxic and environmentally friendly.
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What is a textile?
A textile is a flexible material made by weaving, knitting, crocheting, or felting natural or synthetic fibers. Textiles are used to create a wide range of products, including clothing, household items such as towels and bedding, and industrial products such as filters and reinforcements for composite materials. Textiles can be made from a variety of materials, including cotton, wool, silk, polyester, and nylon.
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The Cultural Heritage of Meghalaya
The state of Meghalaya, formed on 21 January 1972, is a state of fascinating socio-cultural significance.Its heritage can be traced from the prehistoric times of Stone Age upto the present.Though comprising mainly of the matrilineal Khasi, Garo, and Jaintia tribes – the state also houses many other lesser known communities such as the Hajong, Sakachep, Biate, Koch, Dalu, Margnar and the Nepali.All these communities find voice in this volume. The Cultural Heritage of Meghalaya looks at the state of Meghalaya exhaustively from the perspective of heritage documentation and maintenance.
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Cultural Heritage and the Future
Cultural Heritage and the Future brings together an international group of scholars and experts to consider the relationship between cultural heritage and the future. Drawing on case studies from around the world, the contributing authors insist that cultural heritage and the future are intimately linked and that the development of futures thinking should be a priority for academics, students and those working in the wider professional heritage sector.Until recently, the future has never attracted substantial research and debate within heritage studies and heritage management, and this book addresses this gap by offering a balance of theoretical and empirical content that will stimulate multidisciplinary debate in the burgeoning field of critical heritage studies. Cultural Heritage and the Future questions the role of heritage in future making and will be of great relevance to academics and students working in the fields of museum and heritage studies, archaeology, anthropology, architecture, conservation studies, sociology, history and geography.Those working in the heritage professions will also find much to interest them within the pages of this book.
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Cultural Heritage and Mass Atrocities
A pathbreaking call to halt the intertwined crises of cultural heritage attacks and mass atrocities and mobilize international efforts to protect people and cultures. Intentional destruction of cultural heritage has a long history.Contemporary examples include the Bamiyan Buddhas in Afghanistan, mosques in Xinjiang, mausoleums in Timbuktu, and Greco-Roman remains in Syria.Cultural heritage destruction invariably accompanies assaults on civilians, making heritage attacks impossible to disentangle from the mass atrocities of genocide, war crimes, crimes against humanity, and ethnic cleansing.Both seek to eliminate people and the heritage with which they identify.Cultural Heritage and Mass Atrocities assembles essays by thirty-eight experts from the heritage, social science, humanitarian, legal, and military communities.Focusing on immovable cultural heritage vulnerable to attack, the volume's guiding framework is the Responsibility to Protect (R2P), a United Nations resolution adopted unanimously in 2005 to permit international intervention against crimes of war or genocide.Based on the three pillars of prevent, react, and rebuild, R2P offers today's policymakers a set of existing laws and international norms that can and--as this book argues--must be extended to the protection of cultural heritage.Contributions consider the global value of cultural heritage and document recent attacks on people and sites in China, Guatemala, Iraq, Mali, Sri Lanka and Afghanistan, Syria, and Yemen.Comprehensive sections on vulnerable populations as well as the role of international law and the military offer readers critical insights and point toward research, policy, and action agendas to protect both people and cultural heritage.A concise abstract of each chapter is offered online in Arabic, Chinese, French, Russian, and Spanish to facilitate robust, global dissemination of the strategies and tactics offered in this pathbreaking call to action. The free online edition of this publication is available at getty.edu/publications/cultural-heritage-mass-atrocities.Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book.
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Analytical Chemistry for Cultural Heritage
The series Topics in Current Chemistry Collections presents critical reviews from the journal Topics in Current Chemistry organized in topical volumes.The scope of coverage is all areas of chemical science including the interfaces with related disciplines such as biology, medicine and materials science.The goal of each thematic volume is to give the non-specialist reader, whether in academia or industry, a comprehensive insight into an area where new research is emerging which is of interest to a larger scientific audience.Each review within the volume critically surveys one aspect of that topic and places it within the context of the volume as a whole.The most significant developments of the last 5 to 10 years are presented using selected examples to illustrate the principles discussed.The coverage is not intended to be an exhaustive summary of the field or include large quantities of data, but should rather be conceptual, concentrating on the methodological thinking that will allow the non-specialist reader to understand the information presented.Contributions also offer an outlook on potential future developments in the field.
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'Leather suit or textile?'
The choice between a leather suit and a textile suit depends on the rider's preferences and riding style. Leather suits are known for their durability, abrasion resistance, and classic look, making them popular among sport and track riders. On the other hand, textile suits are often more versatile, offering waterproof and breathable features, making them suitable for various weather conditions and longer rides. Ultimately, the decision between a leather suit and a textile suit comes down to personal preference, riding environment, and budget.
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What is a cultural heritage?
Cultural heritage refers to the traditions, customs, beliefs, and artifacts that are passed down from generation to generation within a society. It encompasses the tangible and intangible aspects of a culture, including historical sites, monuments, art, music, language, and rituals. Cultural heritage plays a crucial role in shaping a community's identity and preserving its unique heritage for future generations. It is an important part of a society's history and contributes to its sense of belonging and continuity.
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What textile product is present?
The textile product present is a soft, cozy blanket. It is made of a plush material that provides warmth and comfort. The blanket is large enough to cover a bed or wrap around oneself, making it perfect for snuggling up on a cold day. Its quality and design make it a luxurious addition to any home.
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What is the textile industry?
The textile industry is a sector of the economy that involves the production of fabrics, yarns, and fibers. This industry encompasses a wide range of activities, including the manufacturing of clothing, household textiles, industrial textiles, and technical textiles. Textile production can involve various processes such as spinning, weaving, knitting, dyeing, and finishing. The textile industry plays a significant role in global trade and is a major contributor to the economy in many countries.
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