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Romanticism
Critical introductions to a range of literary topics and genres. Romanticism offers guidance through the diversity of uses and meanings of the word 'romantic', not in terms of fixed definitions or essential qualifying characteristics, but rather in giving a helpful framework for questions and exploration.The focus throughout tends to be on the Western European cultural world of the latter half of the 18th century and the first half of the 19th, as befits English literary study, but the context is far broader.
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Counterfactual Romanticism
Innovatively extending counterfactual thought experiments from history and the social sciences to literary historiography, criticism and theory, Counterfactual Romanticism reveals the ways in which the shapes of Romanticism are conditioned by that which did not come to pass.Exploring various modalities of counterfactual speculation and inquiry across a range of Romantic-period authors, genres and concerns, this collection offers a radical new purchase on literary history, on the relationship between history and fiction, and on our historicist methods to date – and thus on the Romanticisms we (think we) have inherited.Counterfactual Romanticism provides a ground-breaking method of re-reading literary pasts and our own reading presents; in the process, literary production, texts and reading practices are unfossilised and defamiliarised. -- .
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Rousseau and Romanticism
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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Romanticism : An Anthology
The essential work on Romanticism, revised and condensed for student convenience Standing as the essential work on Romanticism, Duncan Wu’s Romanticism: An Anthology has been appreciated by thousands of literature students and their teachers across the globe since its first appearance in 1994.This Fifth Edition has been revised to reduce the size of the book and the burden of carrying it around a university campus.It includes the six canonical authors: Blake, Wordsworth, Coleridge, Keats, Byron, and Shelley.The Fourth Edition of the anthology, with complete and uncut texts of a wealth of Romantic authors, is available to all readers of the Fifth Edition via online access.Authors are introduced successively by their dates of birth; works are placed in order of composition where known and, when not known, by date of publication.Except for works in dialect or in which archaic effects were deliberately sought, punctuation and orthography are normalized, pervasive initial capitals and italics removed, and contractions expanded except where they are of metrical significance.Texts are edited for this volume from both manuscript and early printed sources.Romanticism: An Anthology contains everything a teacher needs for full coverage of the canonical poets, with illustrations and a chronological timeline to provide readers with important historical context.
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What is Romanticism?
Romanticism was an artistic, literary, and intellectual movement that originated in Europe in the late 18th century and peaked in the 1800s. It emphasized emotion, individualism, and the beauty of nature, as well as the importance of imagination and the supernatural. Romanticism also focused on the expression of personal feelings and experiences, and often sought to challenge the rationalism and order of the Enlightenment period that preceded it. This movement had a significant impact on literature, art, music, and philosophy, and its influence can still be seen in modern culture.
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Is there a difference between Black Romanticism, Late Romanticism, and Biedermeier?
Yes, there are differences between Black Romanticism, Late Romanticism, and Biedermeier. Black Romanticism is a subgenre that focuses on darker themes such as death, the supernatural, and the grotesque. Late Romanticism, on the other hand, refers to the period in the 19th century when Romanticism evolved into a more introspective and self-conscious style. Biedermeier, a style of design and literature that emerged in Central Europe, is characterized by its emphasis on simplicity, comfort, and domestic life. Each of these movements has its own unique characteristics and themes that set them apart from one another.
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What are inventions in Romanticism?
Inventions in Romanticism refer to the creative and imaginative ideas, concepts, and creations that emerged during the Romantic period in the late 18th and early 19th centuries. These inventions were not limited to physical objects, but also included new forms of literature, art, music, and philosophy that emphasized emotion, individualism, and the power of the imagination. Some notable inventions of Romanticism include the gothic novel, landscape painting, and the symphonic poem. Overall, inventions in Romanticism reflected a desire to break away from traditional norms and explore new ways of expressing human experience and emotion.
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What is a cultural heritage?
Cultural heritage refers to the traditions, customs, beliefs, and artifacts that are passed down from generation to generation within a society. It encompasses the tangible and intangible aspects of a culture, including historical sites, monuments, art, music, language, and rituals. Cultural heritage plays a crucial role in shaping a community's identity and preserving its unique heritage for future generations. It is an important part of a society's history and contributes to its sense of belonging and continuity.
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Romanticism: 100 Poems
'Romanticism', though a debated term, is broadly understood as a cultural movement which gripped the European imagination in the late eighteenth and early nineteenth centuries.Embodying a poetics of feeling intersecting with nature and the notion of the sublime, its experiential aesthetics were furthermore bound up with ideas of personal and political rebellion.Michael Ferber's lively anthology includes lesser-known verse from the best-known poets, as well as a few fine poems by little-known poets.Perfect for readers who would like to enjoy the many riches of arguably poetry's greatest era, or for those already familiar with the poets but who would welcome some happy surprises, this varied international selection includes verse translated from six languages, with several poems appearing in the original language alongside its translation.This engaging selection features concise, informative headnotes and a helpful introduction that charts a course to understanding the Romantic movement as a whole.
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1000 Masterworks: European Romanticism
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Wordsworth and Welsh Romanticism
Popular anthologies hold that the Romantic Era in Great Britain ended promptly in 1832 and that the early Twentieth Century was the time of Modernism and the rejection of the Romantic in British letters.However, in Wales, just the opposite was true. This study traces the work of poets and novelists in Wales in the early- to mid-Twentieth Century who all found their poetic master to be William Wordsworth.In the early part of the century, W.H. Davies, John Cowper Powys and Huw Menai - a tramp, a mystic novelist and a coal miner - produce novels and poetry with Wordsworth as their acknowledged master.By mid-century, Idris Davies, a coal miner turned teacher, R.S. Thomas, an Anglican priest, and Leslie Norris, another teacher, are writing in the "mountainous shadow of William Wordsworth."While the literary lights of London are leading the Modernist revolution, in Wales, the inspiration is still the English poet, Wordsworth.This study will illuminate this flare up of Romanticism, and show the way in which Romanticism re-emerges from unexpected quarters.
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British Romanticism and Denmark
British Romanticism and Denmark shows how the articulation in British Romantic-period writing of the idea of a 'Northern' cultural identity shared by Britain and Denmark and rooted in the Classical Scandinavian past played an important role in the emergence and development of Romanticism and Romantic nationalism in both countries.By addressing a wide range of Nordic as well as Anglophone scholarship, this study offers new perspectives on British, Danish and European Romanticisms, and on the relationship between them.
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When was the musical era Romanticism?
The musical era of Romanticism took place roughly between the late 18th and early 19th centuries, spanning from around 1800 to 1910. This period was characterized by a focus on emotion, individualism, and the expression of personal feelings in music. Composers such as Beethoven, Chopin, and Tchaikovsky were prominent figures during this era, creating music that was rich in melody, harmony, and dramatic expression.
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What is the era of Romanticism?
The era of Romanticism was a cultural and artistic movement that emerged in the late 18th century and reached its peak in the 19th century. It was a reaction against the rationalism and order of the Enlightenment, emphasizing emotion, individualism, and the beauty of nature. Romanticism had a significant impact on literature, music, art, and philosophy, with key themes including the celebration of the individual, the power of imagination, and the exploration of the supernatural and the exotic. This era produced some of the most influential works in Western art and literature, and its legacy continues to influence creative expression to this day.
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What are some characteristics of Romanticism?
Romanticism is characterized by a focus on emotion, imagination, and individualism. It often emphasizes the beauty of nature and the power of the individual to connect with it. Romanticism also tends to reject the rationalism and order of the Enlightenment period, instead valuing spontaneity, passion, and the supernatural. Additionally, Romanticism often explores themes of nostalgia, longing, and the pursuit of the sublime.
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Why does it belong to Romanticism?
The painting "Wanderer above the Sea of Fog" belongs to Romanticism because it captures the essence of the Romantic movement. The painting depicts a lone figure in a dramatic and awe-inspiring natural landscape, which reflects the Romantic emphasis on the sublime and the power of nature. The figure's contemplative pose and the sense of mystery and adventure in the scene also align with Romantic themes of individualism, introspection, and the exploration of the unknown. Additionally, the use of light and shadow, as well as the emphasis on emotion and imagination, are characteristic of Romantic art.
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