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The Oxford Handbook of Public Heritage Theory and Practice
The field of cultural heritage is no longer solely dependent on the expertise of art and architectural historians, archaeologists, conservators, curators, and site and museum administrators.It has dramatically expanded across disciplinary boundaries and social contexts, with even the basic definition of what constitutes cultural heritage being widened far beyond the traditional categories of architecture, artifacts, archives, and art.Heritage now includes vernacular architecture, intangible cultural practices, knowledge, and language, performances and rituals, as well as cultural landscapes.Heritage has also become increasingly entangled with the broader social, political, and economic contexts in which heritage is created, managed, transmitted, protected, or even destroyed.Heritage protection now encompasses a growing set of methodological approaches whose objectives are not necessarily focused upon the maintenance of material fabric, which has traditionally been cultural heritage's primary concern.The Oxford Handbook of Public Heritage Theory and Practice charts some of the major sites of convergence between the humanities and the social sciences, where new disciplinary perspectives are being brought to bear on heritage.These convergences have the potential to provide the interdisciplinary expertise needed not only to critique but also to achieve the intertwined intellectual, political, and socioeconomic goals of cultural heritage in the twenty-first century.This volume highlights the potential contributions of development studies, political science, anthropology, management studies, human geography, ecology, psychology, sociology, cognitive studies, and education to heritage studies.
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Reimagining Public Managers : Delivering Public Value
Public value theory speaks to the co-creation of value between politicians, citizens, and public managers, with a focus on the public manager in terms of her contributions, initiatives, and limitations in value creation.But just who are public managers? Public value regularly treats the "public manager" as synonymous with bureaucrat, government official, civil servant, or public administrator.However, the categories of public managers represent a more versatile and expansive set of agents in society than they are given credit for, and the discourse of public value has typically not delved sufficiently into the variety of possible cadres that might comprise the "public manager."This book seeks to go beyond the assumed understandings of who the public manager is and what she does.It does so by examining the processes of value creation that are driven by non-traditional sets of public managers, which include the judiciary, the armed forces, multilateral institutions, and central banks.It applies public value tools to understand their value creation and uses their unique attributes to inform our understanding of public value theory.Tailored to an audience comprising public administration scholars, students of government, public officials, practitioners, and social scientists interested in contemporary problems of values in society, this book helps to advance public administration thought by re-examining the theory’s ultimate protagonist: the public manager.It therefore constitutes an important effort to take public value theory forward by going "beyond" conceptions of the public manager as she has thus far been understood.
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Public Humanities in Architecture : Reflections on Heritage, Culture, and History
Anyone concerned with the history, tradition, and culture of our built environment will sooner or later come across the term ‘Public Humanities’.At the interface between an academic discipline and the media-oriented culture industry, Public Humanities is established as a field of inquiry in the US and is increasingly becoming so in Europe too. Whether this field of research remains a product of Western culture will only become apparent in the coming years.However, linking architectural debate with the humanities is an important concern of the papers collected here. These essays on architectural theory provide academic food for thought while encouraging reflection on the discipline of architecture and stimulating urban design in the twenty-first century.The lectures collected here are from a class on Public Humanities at Brown University.
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Public Finance and Public Policy (International Edition)
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What is a cultural heritage?
Cultural heritage refers to the traditions, customs, beliefs, and artifacts that are passed down from generation to generation within a society. It encompasses the tangible and intangible aspects of a culture, including historical sites, monuments, art, music, language, and rituals. Cultural heritage plays a crucial role in shaping a community's identity and preserving its unique heritage for future generations. It is an important part of a society's history and contributes to its sense of belonging and continuity.
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How to wear a traditional kimono in public?
When wearing a traditional kimono in public, it is important to follow proper etiquette to show respect for the culture. Start by putting on the kimono with the left side overlapping the right, as the opposite way is reserved for dressing the deceased. Make sure the obi (sash) is tied in the back with a decorative knot. Wear tabi socks and zori sandals to complete the outfit. Lastly, be mindful of your movements and posture while wearing a kimono to maintain its elegance and grace.
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Is the Drachenschanze a German cultural heritage site?
Yes, the Drachenschanze is considered a German cultural heritage site. It is a historic site in the Harz Mountains that has been preserved and protected due to its cultural significance. The Drachenschanze is a medieval fortification that played a role in the region's history, making it an important part of Germany's cultural heritage. Its historical and architectural significance has led to its recognition as a cultural heritage site in Germany.
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Is Drachenlord and the Drachengame considered German cultural heritage?
Drachenlord and the Drachengame are not officially recognized as German cultural heritage. While they may have gained a following and become a notable part of internet culture in Germany, they do not hold the same status as traditional cultural elements such as literature, music, or art that are typically associated with being part of a country's cultural heritage. Additionally, the controversial nature of Drachenlord and the Drachengame may make it less likely to be officially recognized as cultural heritage.
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Diversity of Belonging in Europe : Public Spaces, Contested Places, Cultural Encounters
Diversity of Belonging in Europe analyzes conflicting notions of identity andbelonging in contemporary Europe.Addressing the creation, negotiation, and (re)use of diverse spaces and places of belonging, the book examines their fascinatingcomplexities in the context of a changing Europe. Taking an innovative interdisciplinary approach, the volume examinesrenegotiations of belonging played out through cultural encounters with differenceand change, in diverse public spaces and contested places.Highlighting theinterconnections between social change and culture, heritage, and memory, thechapters analyze multilayered public spaces and the negotiations over culture andbelonging that are connected to them.Through analyses of diverse case studies, theeditors and authors draw out the significance of the participation or exclusion ofdiffering community, grassroots, and activist groups in such practices and discoursesof belonging in relation to the contemporary emergence of identity conflicts andpolitical uses of the past across Europe.They analyze the ways in which people’ssense of belonging is connected to cultural, heritage, and memory practicesundertaken in different public spaces, including museums, cultural and communitycentres, city monuments and built heritage, neglected urban spaces, and online fora. Diversity of Belonging in Europe provides a valuable contribution to theexisting bodies of work on identities, migration, public space, memory, andheritage.The book will be of interest to scholars and students with an interest incontested belonging, public spaces, and the role of culture and heritage. Susannah Eckersley is Senior Lecturer at Newcastle University, UK, anAssociated Research Fellow at the Leibniz Centre for Contemporary History(ZZF) in Potsdam, Germany, and the Project Leader of en/counter/points – acollaborative European research project on public spaces and belonging fundedby HERA.Her expertise is in memory, museums, difficult heritage, migration,identities, and belonging. Claske Vos is an anthropologist and Assistant Professor in the Department ofEuropean Studies at the Humanities Faculty of the University of Amsterdam, theNetherlands.Her current work focuses on the intersection of EU funding, culturalactivism, and enlargement.Her expertise is in European cultural policy, culturalheritage, Southeast Europe, and European identity formation.
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Public Sociology
Michael Burawoy has helped to reshape the theory and practice of sociology across the Western world.Public Sociology is his most thoroughgoing attempt to explore what a truly committed, engaged sociology should look like in the twenty-first century. Burawoy looks back on the defining moments of his intellectual journey, exploring his pivotal early experiences as a researcher, such as his fieldwork in a Zambian copper mine and a Chicago factory.He recounts his time as a graduate and professor during the ideological ferment in sociology departments of the 1970s, and explores how his experiences intersected with a changing political and intellectual world up to the present.Recalling Max Weber, Burawoy argues that sociology is much more than just a discipline – it is a vocation, to be practiced everywhere and by everyone.
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Public Sociology
Michael Burawoy has helped to reshape the theory and practice of sociology across the Western world.Public Sociology is his most thoroughgoing attempt to explore what a truly committed, engaged sociology should look like in the twenty-first century. Burawoy looks back on the defining moments of his intellectual journey, exploring his pivotal early experiences as a researcher, such as his fieldwork in a Zambian copper mine and a Chicago factory.He recounts his time as a graduate and professor during the ideological ferment in sociology departments of the 1970s, and explores how his experiences intersected with a changing political and intellectual world up to the present.Recalling Max Weber, Burawoy argues that sociology is much more than just a discipline – it is a vocation, to be practiced everywhere and by everyone.
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Public Law
Public Law guides students through all the essential components of the Public Law module, in a user-friendly structure that is ideal for visual learners.Written by an experienced teacher of Public Law, the book takes an accessible and engaging approach to often complex areas of law, politics and the constitution.Incorporating recent developments, academic debate and commentary, the book introduces students to all the key concepts of this core subject.The text is grounded in context, explaining how Public Law operates in practice, and it thoroughly covers the spectrum of Constitutional Law, Human Rights and Administrative Law. Integrated pedagogic features ease navigation of the text and reinforce key points.These include Public Law in Context, Recent Developments, Public Law in Practice, Practical Application and Academic Debate, and Public Law is also supported by online Multiple Choice Questions.Public Law is essential reading for modules on public law and constitutional and administrative law on LLB degrees and conversion courses.
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Is the Drachenlord and the Drachengame German cultural heritage?
The Drachenlord and the Drachengame are not considered German cultural heritage in the traditional sense. They are more of a modern internet phenomenon that has gained popularity in certain online communities. While they may have a following and be part of contemporary German internet culture, they do not hold the same historical or cultural significance as traditional German heritage sites or practices.
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Is a public playground a public good?
Yes, a public playground can be considered a public good. It is non-excludable, meaning that anyone can use it without being excluded, and it is non-rivalrous, meaning that one person's use of the playground does not diminish the ability of others to use it. Public playgrounds provide benefits to the community as a whole and are typically funded and maintained by public resources, making them a classic example of a public good.
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Is this a private, public, or semi-public street?
Based on the information provided, it is likely a private street. This is because the street is maintained by a homeowners association and access is restricted to residents and their guests. Additionally, the street is not maintained by the local government, further indicating that it is private.
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Are confirmations public?
Confirmations are typically private and are meant to verify a transaction between two parties. They are not usually shared publicly as they contain sensitive information related to the transaction. Confirmations are used to ensure that both parties have agreed to the terms of the transaction and provide a record of the agreement.
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