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Diffracting Digital Images : Archaeology, Art Practice and Cultural Heritage
Digital imaging techniques have been rapidly adopted within archaeology and cultural heritage practice for the accurate documentation of cultural artefacts.But what is a digital image, and how does it relate to digital photography?The authors of this book take a critical look at the practice and techniques of digital imaging from the stance of digital archaeologists, cultural heritage practitioners and digital artists.Borrowing from the feminist scholar Karen Barad, the authors ask what happens when we diffract the formal techniques of archaeological digital imaging through a different set of disciplinary concerns and practices.Diffracting exposes the differences between archaeologists, heritage practitioners and artists, and foregrounds how their differing practices and approaches enrich and inform each other.How might the digital imaging techniques used by archaeologists be adopted by digital artists, and what are the potentials associated with this adoption?Under the gaze of fine artists, what happens to the fidelity of the digital images made by archaeologists, and what new questions do we ask of the digital image?How can the critical approaches and practices of fine artists inform the future practice of digital imaging in archaeology and cultural heritage?Diffracting Digital Images will be of interest to students and scholars in archaeology, cultural heritage studies, anthropology, fine art, digital humanities, and media theory.
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Cultural Diversity, Heritage and Human Rights : Intersections in Theory and Practice
This theoretically innovative anthology investigates the problematic linkages between conserving cultural heritage, maintaining cultural diversity, defining and establishing cultural citizenship, and enforcing human rights. It is the first publication to address the notions of cultural diversity, cultural heritage and human rights in one volume.Heritage provides the basis of humanity’s rich cultural diversity.While there is a considerable literature dealing separately with cultural diversity, cultural heritage and human rights, this book is distinctive and has contemporary relevance in focusing on the intersection between the three concepts.Cultural Diversity, Heritage and Human Rights establishes a fresh approach that will interest students and practitioners alike and on which future work in the heritage field might proceed.
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Cultural Studies : Theory and Practice
"This book presents a magisterial overview of Cultural Studies, and of studies of culture more broadly.It synthesizes a bewildering range of writers and ideas into a comprehensible narrative.It’s respectful to the history of ideas and completely cutting edge.I learned a lot – you will too."- Professor Alan McKee, University of Technology Sydney "The role of culture in spatial, digital and political settings is a vital aspect of contemporary life.Barker and Jane provide an excellent introduction to Cultural Studies’ relationship to these core issues, both through a clear explanation of key concepts and thinkers, alongside well chosen examples and essential questions."- Dr David O'Brien, Goldsmiths, University of LondonWith over 40,000 copies sold, Cultural Studies: Theory and Practice has been the indispensable guide to studying culture for generations of students.Here is everything students need to know, with all the key concepts, theories and thinkers in one comprehensive, authoritative yet accessible resource. Teaching students the foundations of cultural studies - from ideology, representation and discourse to audiences, subcultures and cultural policy - this revised edition:Fully explores the ubiquity of digital media culture, helping readers analyse issues surrounding social media, surveillance, cyber-activism and moreIntroduces students to all the key thinkers they’ll encounter, from Stuart Hall and Michel Foucault to Judith Butler and Donna HarawayBalances the classics with cutting edge theory, including case studies on e-commerce, the self-help industry, the transgender debate, and representations of raceEmbraces popular culture in all of its diversity, from drag kings and gaming, to anime fandom and remix culturesIs re-written throughout with a new co-author, making it a more enjoyable read than ever.Unmatched in coverage and used world-wide, this is the essential companion for all students of cultural studies, culture and society, media and cultural theory, popular culture and cultural sociology.
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Cultural Diversity in Child Protection : Cultural Competence in Practice
Racial, ethnic and religious diversity requires social workers to safeguard children and support families from many different minority backgrounds.This innovative book is based on an analysis of Serious Case Reviews (Child Safeguarding Practice Reviews) involving issues of race, ethnicity and faith.The authors examine face-to-face social work practice with children, parents, their partners and other family members from black and minority ethnic backgrounds.Throughout, they identify common mistakes in practice, and detail culturally competent responses to often challenging child protection situations.Students and practitioners are supported in the development of their own knowledge and skills through a series of reflective exercises and worked case examples.
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What is a cultural heritage?
Cultural heritage refers to the traditions, customs, beliefs, and artifacts that are passed down from generation to generation within a society. It encompasses the tangible and intangible aspects of a culture, including historical sites, monuments, art, music, language, and rituals. Cultural heritage plays a crucial role in shaping a community's identity and preserving its unique heritage for future generations. It is an important part of a society's history and contributes to its sense of belonging and continuity.
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Is the Drachenschanze a German cultural heritage site?
Yes, the Drachenschanze is considered a German cultural heritage site. It is a historic site in the Harz Mountains that has been preserved and protected due to its cultural significance. The Drachenschanze is a medieval fortification that played a role in the region's history, making it an important part of Germany's cultural heritage. Its historical and architectural significance has led to its recognition as a cultural heritage site in Germany.
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How can one practice tattooing on practice skin?
To practice tattooing on practice skin, one can start by setting up a clean and sterile workspace with all necessary tattoo equipment. Next, they can secure the practice skin onto a stable surface and use it to practice different techniques, such as outlining, shading, and coloring. It's important to start with simple designs and gradually work up to more complex ones to improve skills. Additionally, seeking guidance from experienced tattoo artists or taking a tattoo apprenticeship can provide valuable feedback and help improve technique.
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Is Drachenlord and the Drachengame considered German cultural heritage?
Drachenlord and the Drachengame are not officially recognized as German cultural heritage. While they may have gained a following and become a notable part of internet culture in Germany, they do not hold the same status as traditional cultural elements such as literature, music, or art that are typically associated with being part of a country's cultural heritage. Additionally, the controversial nature of Drachenlord and the Drachengame may make it less likely to be officially recognized as cultural heritage.
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Cultural Leadership in Practice : Beyond Arts Management and Cultural Policy
What do cultural leaders really think about the problems they, and the arts and cultural sector, face?This book brings global leaders in the cultural field into dialogue with academics and experts to offer profound insight and perspectives on the complex issues the cultural sector faces in a rapidly accelerating and destabilising twenty-first century context. The book engages directly with leaders in the arts and cultural sector, bridging the gap between academia, policy and practice.Each chapter sheds new light on national cultural policy contexts, offering different perspectives on arts subsidy, audiences, the cultural workforce, heritage, artform development and how cultural leadership functions in a fast-changing local, national and international context.Interviews are conducted by academics and experts with significant knowledge and understanding of the arts management and cultural policy field, who ask critical and probing questions.Featuring interviews with an impressively international range of senior figures from the cultural sector, from the Royal Opera House, BMW, Bloomberg and Onassis Foundation and covering countries including the UK, Germany, Chile, Singapore, Greece, USA, Serbia and Ireland, the book gives a truly global overview of cultural leadership from leaders who are open to question, critique and challenge.Each chapter offers a unique and fascinating insight into the mind of a leader in their field, with their experience ranging from huge participatory events featuring tens of thousands of people to the visual arts, opera, the Turner Prize and the #blacklivesmatter movement. This book will be essential reading for reflective cultural leaders around the world, as well as a useful resource for students and scholars involved with arts and cultural management and policy.
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Decolonising the Digital : Technology as Cultural Practice
Decolonising the Digital: Technology as Cultural Practice is a collection of critical essays, showcases, and interviews by Australian experimental artists, and diverse digital media theorists.The book benefits from being composed in the context of the world's oldest living peoples, Australian Aboriginal peoples, with the longest continuum of cultural practice and technologies.It offers a set of exemplary media practices from Australian artist-researchers actively creating new aesthetics and storytelling methods through innovative use of emerging digital technologies.With relevance to artists, researchers, and the wider public, it provokes critical thinking around 'technology as cultural practice', and offers tangible case-studies of experimental media practices from a range of art practitioners in diverse cultural contexts.Equal parts provocation, inspiration, and user guide to thinking about and working with emerging digital technologies in a critical way.
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Managing Cross-Cultural Communication : Principles and Practice
Accessible and lively introduction to the management of cross-cultural communication for undergraduate and postgraduate business students.Drawing on the latest research and incorporating the author's own extensive experience of working in different cultural settings, it addresses the core theory and practice.An essential course companion.
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Journalism, Technology and Cultural Practice : A History
Taking a contextual and historical approach, Journalism, Technology and Cultural Practice provides an accessible introduction to the various stages of journalism’s adoption and exploitation of technology from print to digital. This foundational text explains the cultural norms and practices that have developed within journalism, why the industry has evolved in the way it has, and what this may mean for the direction of journalistic practices in the future.Readers will examine key technological developments from printing, through radio and television, to contemporary digital developments, whilst also tracing the major cultural shifts empowered by these changes over time.Conboy additionally highlights how journalists have been actors in these processes and have had a central role in defining the culture of their practice. Journalism, Technology and Cultural Practice is a valuable resource for students of Journalism/Media History and Journalism/Media and Society.
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Is the Drachenlord and the Drachengame German cultural heritage?
The Drachenlord and the Drachengame are not considered German cultural heritage in the traditional sense. They are more of a modern internet phenomenon that has gained popularity in certain online communities. While they may have a following and be part of contemporary German internet culture, they do not hold the same historical or cultural significance as traditional German heritage sites or practices.
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Is microblading practice color really practice color? Who knows?
Microblading practice color is typically a neutral or light shade that is used during the training process to simulate the appearance of microblading strokes on artificial skin. It is not an exact representation of the final result on a client's skin, as the actual pigment used during the procedure may vary based on the client's skin tone and desired outcome. Ultimately, the effectiveness of microblading practice color in preparing technicians for real-life procedures may vary depending on the individual and their experience level.
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Is this a matter of practice or of the practice?
The use of "practice" versus "the practice" depends on the context. If you are referring to the general concept or act of practicing something, then you would use "practice." However, if you are referring to a specific instance or established procedure, then you would use "the practice." So, whether you use "practice" or "the practice" depends on whether you are talking about a general idea or a specific instance.
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What religion do you practice and how do you practice it?
As an AI language model, I do not have personal beliefs or practices. However, I can provide information on various religions and their practices. If you have specific questions about a particular religion, feel free to ask and I can provide information based on the knowledge available to me.
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