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Ok315 Children Educational Color Screen Retro 2.2" Non-infringement Tool
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Internet Service Provider Liability for Copyright and Trade Mark Infringement : Towards an EU Co-Regulatory Framework
This book critically evaluates the EU regulatory framework for the liability of host Internet Service Providers (ISPs) for copyright and trade mark infringements and provides a cluster of novel recommendations for its improvement.The book recommends the imposition of a duty of care to host ISPs to curb the dissemination of unauthorised works and counterfeit goods, the ascription of a transparency obligation to host ISPs towards their users, and the establishment of a supervisory authority for host ISPs. Host ISPs have facilitated the dissemination of content amongst users and the purchase of goods online, enabling copyright holders and brand owners to attract a greater audience for their works and goods.However, their services have attracted a high number of copyright and trade mark violations, too.Neither Article 14 of the e-Commerce Directive nor Article 17 of the Copyright in the Digital Single Market Directive provide a solid response to the issue of host ISPs' liability.This book is a valuable resource for researchers in IT and IP law and offers a new perspective for resolving online IP disputes.
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Digital Cultural Heritage
This book provides an overview of various application spheres and supports further innovations needed in information management and in the processes of knowledge generation.The professions, organizations and scientific associations involved are unusually challenged by the complexity of the data situation.Cartography has always been the central field of application for georeferencing digital cultural heritage (DCH) objects.It is particularly important in enabling spatial relation analysis between any number of DCH objects or of their granular details.In addition to the pure geometric aspects, the cognitive relations that lead to knowledge representation and derivation of innovative use processes are also of increasing importance.Further, there is a societal demand for spatial reference and analytics (e.g. the extensive use of cognitive concepts of "map" and "atlas" for a variety of social topics in the media).There is a huge geometrical-logical-cognitive potential for complex, multimedia, digital-cultural-heritage databases and stakeholders expect handling, transmission and processing operations with guaranteed long-term availability for all other stakeholders.In the future, whole areas of digital multimedia databases will need to be processed to further our understanding of historical and cultural contexts.This is an important concern for the information society and presents significant challenges for cartography in all these domains. This book collects innovative technical and scientific work on the entire process of object digitization, including detail extraction, archiving and interoperability of multimedia DCH data.
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The Cultural Heritage of Meghalaya
The state of Meghalaya, formed on 21 January 1972, is a state of fascinating socio-cultural significance.Its heritage can be traced from the prehistoric times of Stone Age upto the present.Though comprising mainly of the matrilineal Khasi, Garo, and Jaintia tribes – the state also houses many other lesser known communities such as the Hajong, Sakachep, Biate, Koch, Dalu, Margnar and the Nepali.All these communities find voice in this volume. The Cultural Heritage of Meghalaya looks at the state of Meghalaya exhaustively from the perspective of heritage documentation and maintenance.
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What is a copyright infringement?
A copyright infringement occurs when someone uses, copies, or distributes someone else's work without permission. This can include using text, images, music, or other creative works without the proper authorization from the original creator or copyright holder. Copyright infringement is a violation of the creator's exclusive rights to their work and can result in legal consequences such as fines or lawsuits. It is important to respect copyright laws and obtain permission before using someone else's work.
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What is a trademark infringement?
A trademark infringement occurs when a person or company uses a trademark that is identical or similar to another party's trademark in a way that is likely to cause confusion among consumers. This can include using the same or similar mark on goods or services that are related to those of the original trademark owner. Trademark infringement can also occur when a mark is used in a way that dilutes the distinctiveness of the original mark or tarnishes its reputation. Infringement can lead to legal action and potential damages for the unauthorized use of the trademark.
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What is a cultural heritage?
Cultural heritage refers to the traditions, customs, beliefs, and artifacts that are passed down from generation to generation within a society. It encompasses the tangible and intangible aspects of a culture, including historical sites, monuments, art, music, language, and rituals. Cultural heritage plays a crucial role in shaping a community's identity and preserving its unique heritage for future generations. It is an important part of a society's history and contributes to its sense of belonging and continuity.
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What is a copyright infringement on YouTube?
A copyright infringement on YouTube occurs when someone uploads content that they do not own the rights to, such as music, videos, or images. This violates the copyright holder's exclusive rights to reproduce, distribute, or display their work. YouTube has systems in place to detect and address copyright infringements, such as Content ID, which allows copyright owners to identify and manage their content on the platform. If a user repeatedly uploads copyrighted material without permission, they may face consequences such as having their videos removed, their channel suspended, or even legal action.
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Cultural Heritage and Mass Atrocities
A pathbreaking call to halt the intertwined crises of cultural heritage attacks and mass atrocities and mobilize international efforts to protect people and cultures. Intentional destruction of cultural heritage has a long history.Contemporary examples include the Bamiyan Buddhas in Afghanistan, mosques in Xinjiang, mausoleums in Timbuktu, and Greco-Roman remains in Syria.Cultural heritage destruction invariably accompanies assaults on civilians, making heritage attacks impossible to disentangle from the mass atrocities of genocide, war crimes, crimes against humanity, and ethnic cleansing.Both seek to eliminate people and the heritage with which they identify.Cultural Heritage and Mass Atrocities assembles essays by thirty-eight experts from the heritage, social science, humanitarian, legal, and military communities.Focusing on immovable cultural heritage vulnerable to attack, the volume's guiding framework is the Responsibility to Protect (R2P), a United Nations resolution adopted unanimously in 2005 to permit international intervention against crimes of war or genocide.Based on the three pillars of prevent, react, and rebuild, R2P offers today's policymakers a set of existing laws and international norms that can and--as this book argues--must be extended to the protection of cultural heritage.Contributions consider the global value of cultural heritage and document recent attacks on people and sites in China, Guatemala, Iraq, Mali, Sri Lanka and Afghanistan, Syria, and Yemen.Comprehensive sections on vulnerable populations as well as the role of international law and the military offer readers critical insights and point toward research, policy, and action agendas to protect both people and cultural heritage.A concise abstract of each chapter is offered online in Arabic, Chinese, French, Russian, and Spanish to facilitate robust, global dissemination of the strategies and tactics offered in this pathbreaking call to action. The free online edition of this publication is available at getty.edu/publications/cultural-heritage-mass-atrocities.Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book.
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Analytical Chemistry for Cultural Heritage
The series Topics in Current Chemistry Collections presents critical reviews from the journal Topics in Current Chemistry organized in topical volumes.The scope of coverage is all areas of chemical science including the interfaces with related disciplines such as biology, medicine and materials science.The goal of each thematic volume is to give the non-specialist reader, whether in academia or industry, a comprehensive insight into an area where new research is emerging which is of interest to a larger scientific audience.Each review within the volume critically surveys one aspect of that topic and places it within the context of the volume as a whole.The most significant developments of the last 5 to 10 years are presented using selected examples to illustrate the principles discussed.The coverage is not intended to be an exhaustive summary of the field or include large quantities of data, but should rather be conceptual, concentrating on the methodological thinking that will allow the non-specialist reader to understand the information presented.Contributions also offer an outlook on potential future developments in the field.
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Cultural Heritage and the Future
Cultural Heritage and the Future brings together an international group of scholars and experts to consider the relationship between cultural heritage and the future. Drawing on case studies from around the world, the contributing authors insist that cultural heritage and the future are intimately linked and that the development of futures thinking should be a priority for academics, students and those working in the wider professional heritage sector.Until recently, the future has never attracted substantial research and debate within heritage studies and heritage management, and this book addresses this gap by offering a balance of theoretical and empirical content that will stimulate multidisciplinary debate in the burgeoning field of critical heritage studies. Cultural Heritage and the Future questions the role of heritage in future making and will be of great relevance to academics and students working in the fields of museum and heritage studies, archaeology, anthropology, architecture, conservation studies, sociology, history and geography.Those working in the heritage professions will also find much to interest them within the pages of this book.
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Cultural Heritage and Tourism in Africa
Cultural Heritage and Tourism in Africa examines the multiple and diverse manifestations of cultural heritage-based tourism in Africa from a regional, social science, and sustainability perspective. This book delivers a comprehensive treatise on the interdependent concepts of cultural heritage and tourism.Heritage is one of the most pervasive tourism assets worldwide and lies at the foundations of tourism in many localities, including Africa.However, despite its salience, there has not been a systematic examination of Africa’s heritage resources, markets, policies, practices, successes, and challenges in a tourism framework, despite the continent’s immense heritage value.This book reviews the different types of heritages that pervade the cultural environment of Africa and comprises its vast heritagescapes.It also examines the increasing potential for the growth of heritage tourism throughout the entire continent.The contributions in this volume delve into current thinking about space and place and their effects on heritage, mobilities, globalization, colonialism and indigeneity, conflict, identity and nation-building, connections with other regions through migration and the slave trade, and a greater emphasis on the ordinary heritage of Africa, which has long been ignored by tourism scholars and industry representatives.The chapters herein are authored by Africa specialists, most being from Africa, offering a truly African perspective.The chapters are conceptually rigorous and empirically rich with examples from all regions of the African continent. This unparalleled interdisciplinary glimpse at cultural heritage and tourism in Africa delivers strong value and is a vital resource for all students and researchers of tourism, cultural studies, heritage studies, geography, anthropology, sociology, history, and global studies.
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Is it a copyright infringement or not?
I'm sorry, I cannot answer that question as it requires specific legal expertise and analysis of the particular circumstances surrounding the alleged copyright infringement. It's best to consult with a legal professional who can provide guidance based on the specific details of the situation.
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When is copyright infringement considered in books?
Copyright infringement in books is considered when someone reproduces, distributes, or displays a substantial portion of a copyrighted work without permission from the copyright holder. This can include copying text, illustrations, or other creative elements without authorization. It is important for authors and publishers to be aware of copyright laws and ensure they have the necessary permissions to use copyrighted material in their books to avoid legal issues.
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Complaining about a copyright infringement on YouTube?
If you believe your copyright has been infringed on YouTube, you can submit a complaint through YouTube's copyright infringement notification process. This process allows copyright holders to report unauthorized use of their content and request its removal. YouTube will then review the complaint and take appropriate action, such as removing the infringing content or disabling the user's account. It is important to provide all necessary information and evidence to support your claim of copyright infringement.
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What about copyright infringement for small creatives?
Copyright infringement can be a significant concern for small creatives, as they may not have the resources to pursue legal action against those who use their work without permission. It can also be challenging for small creatives to monitor and enforce their copyrights, especially in the digital age where content can be easily shared and reproduced. However, small creatives can take steps to protect their work, such as registering their copyrights, clearly marking their work with copyright notices, and pursuing licensing agreements with those who want to use their creations. Additionally, there are organizations and legal resources available to help small creatives navigate copyright issues and protect their intellectual property.
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