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Familiarity
The third album from Bristolian electronic artist Henry Green, featuring extremely transportive ambient experiments and trips down other electronic avenues. 'Outside' exemplifies the album's high-tempo dance influences, while collaborations with leftfield pop group Colouring and soul vocalist Carmody veer into an ethereal indie folk realm.
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Familiarity Is the Kingdom of the Lost
A fast-paced romp through apartheid-era South Africa that exemplifies the creative human capacity to overcome seemingly omnipotent enemies and overwhelming odds. The picaresque hero of this novel, Duggie, is a dispossessed black street kid turned con man.Duggie’s response to being confined to the lowest level of South Africa’s oppressive and humiliating racial hierarchy is to one-up its absurdity with his own glib logic and preposterous schemes.Duggie’s story, as one critic puts it, offers “an encyclopedic catalogue of rip-offs, swindles, and hoaxes” that regularly land him in jail and rely on his white targets’ refusal to admit a black man is capable of outsmarting them. Duggie exploits South Africa’s bureaucratic pass laws and leverages his artificial leg every chance he gets.As “a worthless embarrassment to the authorities and a bad example to the convicts,” Duggie even manages to get himself thrown out of jail.From Duggie’s Depression-era childhood in urban Johannesburg to World War II and the rise of the white supremacist apartheid regime to his final, bitter triumph, Boetie’s narrative celebrates humanity’s relentless drive to survive at any cost. This new edition of Boetie’s out-of-print classic features a recently discovered photograph of the author, an introduction replete with previously unpublished research, numerous annotations, and is accompanied by Lionel Abrahams’ haunting poem, “Soweto Funeral,” composed after attending Boetie’s interment, all of which render the text accessible to a new generation of readers.
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Digital Stimulation : Fascination, Familiarity, and Fantasy in Human Relationships with Robots
Digital Stimulation explores the subject of intimacy, including romantic and sexual intimacy, between human and nonhuman entities, particularly technological entities.As relationships between humans and machines become increasingly prevalent, it is important to address the potential for such relationships to reflect, to reinforce, or to reinvent existing hierarchies.The distinction between man and machine, like the distinction between man and beast, between man and brute, between man and nature, between man and woman, and so on, is an expression of the anthropocentrism and androcentrism permeating western ideas of self and other.Concerns about the representation (or misrepresentation) and treatment (or mistreatment) of machines are of consequence for other human and nonhuman others as well, and this book details many of the ways in which depictions of machines, especially robots, mirror ideas and attitudes about various human and nonhuman others.This book also addresses the ongoing development of machines designed explicitly for intimate engagement with humans, such as sex robots.As they become more and more lifelike, it becomes progressively more urgent to cultivate compassion toward such machines.
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Digital Cultural Heritage
This book provides an overview of various application spheres and supports further innovations needed in information management and in the processes of knowledge generation.The professions, organizations and scientific associations involved are unusually challenged by the complexity of the data situation.Cartography has always been the central field of application for georeferencing digital cultural heritage (DCH) objects.It is particularly important in enabling spatial relation analysis between any number of DCH objects or of their granular details.In addition to the pure geometric aspects, the cognitive relations that lead to knowledge representation and derivation of innovative use processes are also of increasing importance.Further, there is a societal demand for spatial reference and analytics (e.g. the extensive use of cognitive concepts of "map" and "atlas" for a variety of social topics in the media).There is a huge geometrical-logical-cognitive potential for complex, multimedia, digital-cultural-heritage databases and stakeholders expect handling, transmission and processing operations with guaranteed long-term availability for all other stakeholders.In the future, whole areas of digital multimedia databases will need to be processed to further our understanding of historical and cultural contexts.This is an important concern for the information society and presents significant challenges for cartography in all these domains. This book collects innovative technical and scientific work on the entire process of object digitization, including detail extraction, archiving and interoperability of multimedia DCH data.
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Does warmth and familiarity not mean love?
Warmth and familiarity can certainly be aspects of love, but they do not necessarily equate to love on their own. Love is a complex and multifaceted emotion that involves care, respect, trust, and a deep emotional connection. While warmth and familiarity can contribute to a loving relationship, true love also requires understanding, communication, and a willingness to support and prioritize the well-being of the other person.
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What is meant by trust and familiarity?
Trust refers to the belief or confidence in the reliability, truth, or ability of someone or something. It involves a sense of security and confidence in the integrity and intentions of the person or entity being trusted. Familiarity, on the other hand, refers to the state of being well-known or accustomed to someone or something. It involves a sense of comfort and ease in interacting with or understanding the person or thing in question. Trust and familiarity often go hand in hand, as the more familiar we are with someone or something, the more likely we are to trust them.
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Doesn't warmth and familiarity mean the same as love?
Warmth and familiarity can be components of love, but they do not necessarily mean the same thing. Warmth refers to a feeling of comfort and kindness, while familiarity suggests a sense of closeness and understanding. Love encompasses a deeper and more complex set of emotions, including warmth and familiarity, but also includes elements such as trust, respect, and commitment. While warmth and familiarity can contribute to the experience of love, they do not fully capture its depth and complexity.
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What is a cultural heritage?
Cultural heritage refers to the traditions, customs, beliefs, and artifacts that are passed down from generation to generation within a society. It encompasses the tangible and intangible aspects of a culture, including historical sites, monuments, art, music, language, and rituals. Cultural heritage plays a crucial role in shaping a community's identity and preserving its unique heritage for future generations. It is an important part of a society's history and contributes to its sense of belonging and continuity.
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Cultural Heritage and Mass Atrocities
A pathbreaking call to halt the intertwined crises of cultural heritage attacks and mass atrocities and mobilize international efforts to protect people and cultures. Intentional destruction of cultural heritage has a long history.Contemporary examples include the Bamiyan Buddhas in Afghanistan, mosques in Xinjiang, mausoleums in Timbuktu, and Greco-Roman remains in Syria.Cultural heritage destruction invariably accompanies assaults on civilians, making heritage attacks impossible to disentangle from the mass atrocities of genocide, war crimes, crimes against humanity, and ethnic cleansing.Both seek to eliminate people and the heritage with which they identify.Cultural Heritage and Mass Atrocities assembles essays by thirty-eight experts from the heritage, social science, humanitarian, legal, and military communities.Focusing on immovable cultural heritage vulnerable to attack, the volume's guiding framework is the Responsibility to Protect (R2P), a United Nations resolution adopted unanimously in 2005 to permit international intervention against crimes of war or genocide.Based on the three pillars of prevent, react, and rebuild, R2P offers today's policymakers a set of existing laws and international norms that can and--as this book argues--must be extended to the protection of cultural heritage.Contributions consider the global value of cultural heritage and document recent attacks on people and sites in China, Guatemala, Iraq, Mali, Sri Lanka and Afghanistan, Syria, and Yemen.Comprehensive sections on vulnerable populations as well as the role of international law and the military offer readers critical insights and point toward research, policy, and action agendas to protect both people and cultural heritage.A concise abstract of each chapter is offered online in Arabic, Chinese, French, Russian, and Spanish to facilitate robust, global dissemination of the strategies and tactics offered in this pathbreaking call to action. The free online edition of this publication is available at getty.edu/publications/cultural-heritage-mass-atrocities.Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book.
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Cultural Heritage and the Future
Cultural Heritage and the Future brings together an international group of scholars and experts to consider the relationship between cultural heritage and the future. Drawing on case studies from around the world, the contributing authors insist that cultural heritage and the future are intimately linked and that the development of futures thinking should be a priority for academics, students and those working in the wider professional heritage sector.Until recently, the future has never attracted substantial research and debate within heritage studies and heritage management, and this book addresses this gap by offering a balance of theoretical and empirical content that will stimulate multidisciplinary debate in the burgeoning field of critical heritage studies. Cultural Heritage and the Future questions the role of heritage in future making and will be of great relevance to academics and students working in the fields of museum and heritage studies, archaeology, anthropology, architecture, conservation studies, sociology, history and geography.Those working in the heritage professions will also find much to interest them within the pages of this book.
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The Cultural Heritage of Meghalaya
The state of Meghalaya, formed on 21 January 1972, is a state of fascinating socio-cultural significance.Its heritage can be traced from the prehistoric times of Stone Age upto the present.Though comprising mainly of the matrilineal Khasi, Garo, and Jaintia tribes – the state also houses many other lesser known communities such as the Hajong, Sakachep, Biate, Koch, Dalu, Margnar and the Nepali.All these communities find voice in this volume. The Cultural Heritage of Meghalaya looks at the state of Meghalaya exhaustively from the perspective of heritage documentation and maintenance.
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Analytical Chemistry for Cultural Heritage
The series Topics in Current Chemistry Collections presents critical reviews from the journal Topics in Current Chemistry organized in topical volumes.The scope of coverage is all areas of chemical science including the interfaces with related disciplines such as biology, medicine and materials science.The goal of each thematic volume is to give the non-specialist reader, whether in academia or industry, a comprehensive insight into an area where new research is emerging which is of interest to a larger scientific audience.Each review within the volume critically surveys one aspect of that topic and places it within the context of the volume as a whole.The most significant developments of the last 5 to 10 years are presented using selected examples to illustrate the principles discussed.The coverage is not intended to be an exhaustive summary of the field or include large quantities of data, but should rather be conceptual, concentrating on the methodological thinking that will allow the non-specialist reader to understand the information presented.Contributions also offer an outlook on potential future developments in the field.
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How can you sign an email with your first name to express familiarity?
To sign an email with your first name to express familiarity, you can simply end the email with just your first name without any formal titles or closing phrases. This casual approach can create a more personal and friendly tone in your communication. Additionally, using an informal sign-off like "Cheers" or "Thanks" followed by your first name can also help convey a sense of familiarity. Remember to consider the context and relationship with the recipient to ensure that this level of informality is appropriate.
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How can one sign an email with their first name to express familiarity?
To sign an email with your first name to express familiarity, you can simply end your email with just your first name without any formal titles or signatures. This creates a more casual and friendly tone, indicating a level of familiarity with the recipient. Additionally, you can use an informal closing such as "Cheers" or "Best" followed by your first name to further convey a sense of closeness. Overall, keeping the sign-off simple and personal helps to establish a more informal and friendly relationship with the recipient.
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Is the Drachenschanze a German cultural heritage site?
Yes, the Drachenschanze is considered a German cultural heritage site. It is a historic site in the Harz Mountains that has been preserved and protected due to its cultural significance. The Drachenschanze is a medieval fortification that played a role in the region's history, making it an important part of Germany's cultural heritage. Its historical and architectural significance has led to its recognition as a cultural heritage site in Germany.
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Is Drachenlord and the Drachengame considered German cultural heritage?
Drachenlord and the Drachengame are not officially recognized as German cultural heritage. While they may have gained a following and become a notable part of internet culture in Germany, they do not hold the same status as traditional cultural elements such as literature, music, or art that are typically associated with being part of a country's cultural heritage. Additionally, the controversial nature of Drachenlord and the Drachengame may make it less likely to be officially recognized as cultural heritage.
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