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Embroidery Stamping Pen Chinese Traditional Embroidery Convenient and easy Embroidery Pen Embroidery
Embroidery Stamping Pen Chinese Traditional Embroidery Convenient and easy Embroidery Pen Embroidery
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Digital Cultural Heritage
This book provides an overview of various application spheres and supports further innovations needed in information management and in the processes of knowledge generation.The professions, organizations and scientific associations involved are unusually challenged by the complexity of the data situation.Cartography has always been the central field of application for georeferencing digital cultural heritage (DCH) objects.It is particularly important in enabling spatial relation analysis between any number of DCH objects or of their granular details.In addition to the pure geometric aspects, the cognitive relations that lead to knowledge representation and derivation of innovative use processes are also of increasing importance.Further, there is a societal demand for spatial reference and analytics (e.g. the extensive use of cognitive concepts of "map" and "atlas" for a variety of social topics in the media).There is a huge geometrical-logical-cognitive potential for complex, multimedia, digital-cultural-heritage databases and stakeholders expect handling, transmission and processing operations with guaranteed long-term availability for all other stakeholders.In the future, whole areas of digital multimedia databases will need to be processed to further our understanding of historical and cultural contexts.This is an important concern for the information society and presents significant challenges for cartography in all these domains. This book collects innovative technical and scientific work on the entire process of object digitization, including detail extraction, archiving and interoperability of multimedia DCH data.
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Jane Austen Embroidery : Authentic Embroidery Projects for Modern Stitchers
15 beautiful embroidery projects from the era of Jane Austen. Jane Austen was as skilful with a needle as she was with a pen.This unique book from Jennie Batchelor and Alison Larkin showcases recently discovered 18th century embroidery patterns expertly repurposed into 15 exciting modern stitching projects.The patterns and projects are brought to life with glimpses into the world of Regency women and their domestic lives by lively historical features, quotes from Jane Austen’s letters and novels, enchanting illustrations and inspirational project photography. The book opens with an illustrated introduction on historical embroidery.Next comes the materials and methods section, clearly explaining the key stitches, as well as providing information on threads, fabrics and frames.The practical section includes 15 projects for modern items.The projects are divided into three chapters according to the item the 18th century pattern was originally intended for with patterns for different skill levels: Embroidered Clothes: Dressed to Impress: Projects include Simple Sprig Pattern (Two Ways), Pencil Case, Clutch Purse, Apron, Housewife. Embroidered Accessories: How Do You Like My Trimming?: Projects include Napkin Set, Mobile Phone Pouch, Tablet Sleeve, Jewellery Pouch, Muslin Shawl. Embroidery for the Home: A ‘Nest of Comforts’: Projects include Tea Box Top, Work Bag, Cushion, Sewing Set, Tablecloth. It is more than likely that Jane herself would have used these very patterns for her own embroidery, and now, with Jennie and Alison’s help, readers can stitch-a-long with Jane to make a selection of beautifully embroidered, practical items.
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The Cultural Heritage of Meghalaya
The state of Meghalaya, formed on 21 January 1972, is a state of fascinating socio-cultural significance.Its heritage can be traced from the prehistoric times of Stone Age upto the present.Though comprising mainly of the matrilineal Khasi, Garo, and Jaintia tribes – the state also houses many other lesser known communities such as the Hajong, Sakachep, Biate, Koch, Dalu, Margnar and the Nepali.All these communities find voice in this volume. The Cultural Heritage of Meghalaya looks at the state of Meghalaya exhaustively from the perspective of heritage documentation and maintenance.
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What is embroidery thread?
Embroidery thread is a type of thread specifically designed for use in embroidery and other decorative stitching. It is typically made from cotton, silk, or synthetic materials and comes in a wide variety of colors and thicknesses. Embroidery thread is often stronger and more lustrous than regular sewing thread, making it ideal for creating intricate and detailed designs on fabric. It is commonly used in hand embroidery, machine embroidery, and other needlework projects.
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How can I remove embroidery?
To remove embroidery, you can start by carefully cutting the threads on the backside of the fabric using small scissors or a seam ripper. Be sure to only cut the embroidery threads and not the fabric itself. Once the threads are cut, gently pull them out from the front of the fabric. You may need to use tweezers to remove any stubborn threads or residue left behind.
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Does anyone know about embroidery?
Yes, embroidery is a popular and ancient craft that involves decorating fabric with needle and thread. It can be used to create intricate designs, patterns, and images on various types of fabric. Many cultures around the world have their own unique styles and techniques of embroidery. It is often used to embellish clothing, accessories, and home decor items.
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Which material is good for embroidery?
Cotton is a popular choice for embroidery due to its smooth texture and ability to hold stitches well. Linen is another good option as it is durable and has a natural stiffness that makes it easy to work with. Wool is also commonly used for embroidery, especially for creating textured designs. Ultimately, the best material for embroidery depends on the specific project and desired outcome.
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Analytical Chemistry for Cultural Heritage
The series Topics in Current Chemistry Collections presents critical reviews from the journal Topics in Current Chemistry organized in topical volumes.The scope of coverage is all areas of chemical science including the interfaces with related disciplines such as biology, medicine and materials science.The goal of each thematic volume is to give the non-specialist reader, whether in academia or industry, a comprehensive insight into an area where new research is emerging which is of interest to a larger scientific audience.Each review within the volume critically surveys one aspect of that topic and places it within the context of the volume as a whole.The most significant developments of the last 5 to 10 years are presented using selected examples to illustrate the principles discussed.The coverage is not intended to be an exhaustive summary of the field or include large quantities of data, but should rather be conceptual, concentrating on the methodological thinking that will allow the non-specialist reader to understand the information presented.Contributions also offer an outlook on potential future developments in the field.
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Cultural Heritage and Mass Atrocities
A pathbreaking call to halt the intertwined crises of cultural heritage attacks and mass atrocities and mobilize international efforts to protect people and cultures. Intentional destruction of cultural heritage has a long history.Contemporary examples include the Bamiyan Buddhas in Afghanistan, mosques in Xinjiang, mausoleums in Timbuktu, and Greco-Roman remains in Syria.Cultural heritage destruction invariably accompanies assaults on civilians, making heritage attacks impossible to disentangle from the mass atrocities of genocide, war crimes, crimes against humanity, and ethnic cleansing.Both seek to eliminate people and the heritage with which they identify.Cultural Heritage and Mass Atrocities assembles essays by thirty-eight experts from the heritage, social science, humanitarian, legal, and military communities.Focusing on immovable cultural heritage vulnerable to attack, the volume's guiding framework is the Responsibility to Protect (R2P), a United Nations resolution adopted unanimously in 2005 to permit international intervention against crimes of war or genocide.Based on the three pillars of prevent, react, and rebuild, R2P offers today's policymakers a set of existing laws and international norms that can and--as this book argues--must be extended to the protection of cultural heritage.Contributions consider the global value of cultural heritage and document recent attacks on people and sites in China, Guatemala, Iraq, Mali, Sri Lanka and Afghanistan, Syria, and Yemen.Comprehensive sections on vulnerable populations as well as the role of international law and the military offer readers critical insights and point toward research, policy, and action agendas to protect both people and cultural heritage.A concise abstract of each chapter is offered online in Arabic, Chinese, French, Russian, and Spanish to facilitate robust, global dissemination of the strategies and tactics offered in this pathbreaking call to action. The free online edition of this publication is available at getty.edu/publications/cultural-heritage-mass-atrocities.Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book.
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Cultural Heritage and the Future
Cultural Heritage and the Future brings together an international group of scholars and experts to consider the relationship between cultural heritage and the future. Drawing on case studies from around the world, the contributing authors insist that cultural heritage and the future are intimately linked and that the development of futures thinking should be a priority for academics, students and those working in the wider professional heritage sector.Until recently, the future has never attracted substantial research and debate within heritage studies and heritage management, and this book addresses this gap by offering a balance of theoretical and empirical content that will stimulate multidisciplinary debate in the burgeoning field of critical heritage studies. Cultural Heritage and the Future questions the role of heritage in future making and will be of great relevance to academics and students working in the fields of museum and heritage studies, archaeology, anthropology, architecture, conservation studies, sociology, history and geography.Those working in the heritage professions will also find much to interest them within the pages of this book.
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Cultural Disjunctions : Post-Traditional Jewish Identities
The identity of contemporary Jews is multifaceted, no longer necessarily defined by an observance of the Torah and God’s commandments.Indeed, the Jews of modernity are no longer exclusively Jewish.They are affiliated with a host of complementary and sometimes clashing communities—vocational, professional, political, and cultural—whose interests may not coincide with that of the community of their birth and inherited culture.In Cultural Disjunctions, Paul Mendes-Flohr explores the possibility of a spiritually and intellectually engaged cosmopolitan Jewish identity for our time.Reflecting on the need to participate in the spiritual life of Judaism so that it enables multiple relations beyond its borders and allows one to balance Jewish commitment with a genuine obligation to the universal, Mendes-Flohr lays out what this delicate balance can look like for contemporary Jews, both in Israel and in diasporic communities worldwide.Cultural Disjunctions walks us through the labyrinth of twentieth-century Jewish cultural identities and commitments.Ultimately, Mendes-Flohr calls for Jews to remain “discontent,” not just with themselves but also and especially with the reigning social and political order, and to fight for its betterment.
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Which embroidery machine also makes buttonholes?
The Brother SE600 is an embroidery machine that also has the capability to make buttonholes. This machine is a popular choice for those who want to do both embroidery and basic sewing tasks, such as creating buttonholes. With its combination of embroidery and sewing features, the Brother SE600 is a versatile machine that can handle a variety of projects. Its ability to make buttonholes adds to its functionality and makes it a convenient option for those who want a multi-purpose machine.
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What is the difference between embroidery and sewing?
Embroidery is the art of decorating fabric or other materials using a needle and thread to create designs and patterns. It is a form of needlework that involves creating decorative stitches on the surface of the fabric. Sewing, on the other hand, is the process of joining two or more pieces of fabric together using a needle and thread or a sewing machine. While embroidery is a specific type of decorative stitching, sewing encompasses a broader range of techniques for creating and repairing garments and other fabric items.
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How can one create an embroidery file themselves?
To create an embroidery file, one can use specialized software such as Wilcom, Embird, or SewArt to digitize a design. First, the design is imported into the software and then the user can manually or automatically create stitches, adjust density, and add any necessary underlay. The file is then saved in a format compatible with the embroidery machine, such as .dst, .pes, or .exp. It's important to note that creating embroidery files requires some level of expertise and practice to ensure the design stitches out correctly.
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What can I use as an embroidery hoop?
You can use a variety of items as an embroidery hoop, such as a wooden embroidery hoop, a plastic embroidery hoop, a quilting hoop, or even a makeshift hoop made from a sturdy circular object like a mason jar lid or a small picture frame. Some crafters also use a rubber band to secure the fabric in place while stitching. Ultimately, the best option for you will depend on the size and type of embroidery project you are working on.
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