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Stress-Free Navigation : Electronic and Traditional
You might think stress-free navigation sounds like an impossible paradox. But it need not be. All boaters, whether under sail or under power, need to be able to navigate safely on the water – both to keep themselves and their crew out of trouble and to avoid endangering others.Yet navigation has often been presented almost as a black art – complicated, full of tricky maths, and with alien concepts to get your head around. Step in ‘Mr Stress-Free’: having in his previous books presented techniques for sailing and motorboating in an accessible, manageable fashion, Duncan Wells now turns his attention to navigation.He makes concepts easy to understand and the practice of navigation perfectly achievable for all – with minimum stress. The book covers the basic introductory elements clearly and simply for novices, and progresses through more advanced techniques for experienced navigators, so that there is something for everyone, whatever their skill level.Diagrams, quick-reference tables and flowcharts, explanatory step-by-step photographs, box features, top tips and QR codes – giving access to explanatory videos – are all features that have been much appreciated by readers of Duncan’s other top-selling titles.
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Illustrated Navigation : Traditional, Electronic & Celestial Navigation
Today, yachts are often equipped with radar, GPS, chart plotters, AIS, etc.This equipment has also become much more reliable, making it possible to make long offshore passages without a great knowledge of navigation. However, such equipment can be set up wrongly, interpreted incorrectly, malfunction or lose power.In these circumstances, knowledge of traditional navigation can become extremely important. This book will teach you how to navigate in the traditional way using compass, log and plotter; and also how to navigate using electronic aids like GPS, radar and chart plotter.In addition, you will learn some basic celestial navigation using the sun and stars to obtain your position using sextant, almanacs, tables and a watch.Each method of navigation is explained alongside detailed illustrations and examples, combining to make a straightforward and easy-to-follow guide.Due to the design of the book, we have had to restrict the layout of the ebook to PDF style which may result in giving you a more restricted reading experience.For this reason, we would not recommend viewing it on very small screens.
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Digital Cultural Heritage
This book provides an overview of various application spheres and supports further innovations needed in information management and in the processes of knowledge generation.The professions, organizations and scientific associations involved are unusually challenged by the complexity of the data situation.Cartography has always been the central field of application for georeferencing digital cultural heritage (DCH) objects.It is particularly important in enabling spatial relation analysis between any number of DCH objects or of their granular details.In addition to the pure geometric aspects, the cognitive relations that lead to knowledge representation and derivation of innovative use processes are also of increasing importance.Further, there is a societal demand for spatial reference and analytics (e.g. the extensive use of cognitive concepts of "map" and "atlas" for a variety of social topics in the media).There is a huge geometrical-logical-cognitive potential for complex, multimedia, digital-cultural-heritage databases and stakeholders expect handling, transmission and processing operations with guaranteed long-term availability for all other stakeholders.In the future, whole areas of digital multimedia databases will need to be processed to further our understanding of historical and cultural contexts.This is an important concern for the information society and presents significant challenges for cartography in all these domains. This book collects innovative technical and scientific work on the entire process of object digitization, including detail extraction, archiving and interoperability of multimedia DCH data.
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Popular Polish Electronic Music, 1970–2020 : A Cultural History
Popular Polish Electronic Music, 1970–2020 offers a cultural history of popular Polish electronic music, from its beginning in the late 1960s/early 1970s up to the present day, in the context of Polish economic, social and political history, and the history of popular music in this country.From the perspective of production, scene, industry and consumption, the volume considers the issue of access to electronic instruments in the 1970s and 1980s, and the variety of inspirations, such as progressive rock and folk music, that have contributed to the development of Polish electronic music as it is known today.The widespread contribution of Polish electronic music to film is also considered.This is a valuable resource for scholars and researchers of electronic music, popular music and (Eastern) European music and culture.
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Should one choose an electronic dartboard or a traditional dartboard?
The choice between an electronic dartboard and a traditional dartboard ultimately depends on personal preference and intended use. Electronic dartboards are convenient as they keep score automatically and offer various game options, making them ideal for casual players or those looking for interactive features. On the other hand, traditional dartboards provide a more authentic dart-playing experience and are favored by serious players or those looking to practice and improve their skills. Consider factors such as budget, space, and intended level of play when deciding between the two options.
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What is a cultural heritage?
Cultural heritage refers to the traditions, customs, beliefs, and artifacts that are passed down from generation to generation within a society. It encompasses the tangible and intangible aspects of a culture, including historical sites, monuments, art, music, language, and rituals. Cultural heritage plays a crucial role in shaping a community's identity and preserving its unique heritage for future generations. It is an important part of a society's history and contributes to its sense of belonging and continuity.
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Do you think the electronic or the traditional parking brake is better?
Both electronic and traditional parking brakes have their advantages and disadvantages. Electronic parking brakes are more convenient to use as they are often activated with the push of a button, while traditional parking brakes require manual operation. However, traditional parking brakes are generally more reliable and easier to repair. Ultimately, the choice between the two comes down to personal preference and the specific needs of the driver.
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What destroys electronic devices?
Electronic devices can be destroyed by a variety of factors, including water damage, overheating, power surges, physical impact, and exposure to dust or debris. Water damage is particularly harmful as it can cause short circuits and corrosion of internal components. Overheating can lead to damage to the device's circuitry and battery. Power surges can also cause irreparable damage to electronic devices by overwhelming their internal components.
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Cultural Heritage and Mass Atrocities
A pathbreaking call to halt the intertwined crises of cultural heritage attacks and mass atrocities and mobilize international efforts to protect people and cultures. Intentional destruction of cultural heritage has a long history.Contemporary examples include the Bamiyan Buddhas in Afghanistan, mosques in Xinjiang, mausoleums in Timbuktu, and Greco-Roman remains in Syria.Cultural heritage destruction invariably accompanies assaults on civilians, making heritage attacks impossible to disentangle from the mass atrocities of genocide, war crimes, crimes against humanity, and ethnic cleansing.Both seek to eliminate people and the heritage with which they identify.Cultural Heritage and Mass Atrocities assembles essays by thirty-eight experts from the heritage, social science, humanitarian, legal, and military communities.Focusing on immovable cultural heritage vulnerable to attack, the volume's guiding framework is the Responsibility to Protect (R2P), a United Nations resolution adopted unanimously in 2005 to permit international intervention against crimes of war or genocide.Based on the three pillars of prevent, react, and rebuild, R2P offers today's policymakers a set of existing laws and international norms that can and--as this book argues--must be extended to the protection of cultural heritage.Contributions consider the global value of cultural heritage and document recent attacks on people and sites in China, Guatemala, Iraq, Mali, Sri Lanka and Afghanistan, Syria, and Yemen.Comprehensive sections on vulnerable populations as well as the role of international law and the military offer readers critical insights and point toward research, policy, and action agendas to protect both people and cultural heritage.A concise abstract of each chapter is offered online in Arabic, Chinese, French, Russian, and Spanish to facilitate robust, global dissemination of the strategies and tactics offered in this pathbreaking call to action. The free online edition of this publication is available at getty.edu/publications/cultural-heritage-mass-atrocities.Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book.
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Cultural Heritage and the Future
Cultural Heritage and the Future brings together an international group of scholars and experts to consider the relationship between cultural heritage and the future. Drawing on case studies from around the world, the contributing authors insist that cultural heritage and the future are intimately linked and that the development of futures thinking should be a priority for academics, students and those working in the wider professional heritage sector.Until recently, the future has never attracted substantial research and debate within heritage studies and heritage management, and this book addresses this gap by offering a balance of theoretical and empirical content that will stimulate multidisciplinary debate in the burgeoning field of critical heritage studies. Cultural Heritage and the Future questions the role of heritage in future making and will be of great relevance to academics and students working in the fields of museum and heritage studies, archaeology, anthropology, architecture, conservation studies, sociology, history and geography.Those working in the heritage professions will also find much to interest them within the pages of this book.
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The Cultural Heritage of Meghalaya
The state of Meghalaya, formed on 21 January 1972, is a state of fascinating socio-cultural significance.Its heritage can be traced from the prehistoric times of Stone Age upto the present.Though comprising mainly of the matrilineal Khasi, Garo, and Jaintia tribes – the state also houses many other lesser known communities such as the Hajong, Sakachep, Biate, Koch, Dalu, Margnar and the Nepali.All these communities find voice in this volume. The Cultural Heritage of Meghalaya looks at the state of Meghalaya exhaustively from the perspective of heritage documentation and maintenance.
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Analytical Chemistry for Cultural Heritage
The series Topics in Current Chemistry Collections presents critical reviews from the journal Topics in Current Chemistry organized in topical volumes.The scope of coverage is all areas of chemical science including the interfaces with related disciplines such as biology, medicine and materials science.The goal of each thematic volume is to give the non-specialist reader, whether in academia or industry, a comprehensive insight into an area where new research is emerging which is of interest to a larger scientific audience.Each review within the volume critically surveys one aspect of that topic and places it within the context of the volume as a whole.The most significant developments of the last 5 to 10 years are presented using selected examples to illustrate the principles discussed.The coverage is not intended to be an exhaustive summary of the field or include large quantities of data, but should rather be conceptual, concentrating on the methodological thinking that will allow the non-specialist reader to understand the information presented.Contributions also offer an outlook on potential future developments in the field.
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What are electronic whiteboards?
Electronic whiteboards, also known as interactive whiteboards, are large display screens that can be connected to a computer and used for presentations, teaching, and collaboration. They allow users to interact with the content on the screen using a stylus or their fingers, and can also be used to annotate, draw, and manipulate digital content. Electronic whiteboards are often used in educational settings, boardrooms, and other collaborative environments to enhance engagement and communication. They can also be used to save and share the content created during a session.
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What does electronic mean?
Electronic refers to devices, systems, or technology that operates using electricity or electrical signals. This can include a wide range of products such as computers, smartphones, televisions, and other gadgets. Electronic devices typically rely on the manipulation of electrical currents to perform various functions, such as processing information, transmitting data, or producing sound or images. The term "electronic" is often used to distinguish these types of devices from mechanical or manual ones.
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What is electronic music?
Electronic music is a genre of music that is created using electronic devices and technology, such as synthesizers, drum machines, and computers. It often features repetitive beats, synthesized sounds, and digital effects. Electronic music can encompass a wide range of styles, including techno, house, dubstep, and ambient, and has been a significant influence on popular music since the 20th century. It is known for its innovative and experimental approach to sound production and has become a prominent genre in contemporary music.
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Subsidiary of Electronic Arts
A subsidiary of Electronic Arts is a company that is owned and controlled by Electronic Arts. This means that Electronic Arts holds a majority stake in the subsidiary and has the authority to make decisions for the subsidiary. Subsidiaries of Electronic Arts may operate independently or as part of a larger network of companies within the Electronic Arts corporate structure. These subsidiaries may be involved in various aspects of the gaming industry, such as game development, publishing, or technology services.
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