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Digital Cultural Heritage
This book provides an overview of various application spheres and supports further innovations needed in information management and in the processes of knowledge generation.The professions, organizations and scientific associations involved are unusually challenged by the complexity of the data situation.Cartography has always been the central field of application for georeferencing digital cultural heritage (DCH) objects.It is particularly important in enabling spatial relation analysis between any number of DCH objects or of their granular details.In addition to the pure geometric aspects, the cognitive relations that lead to knowledge representation and derivation of innovative use processes are also of increasing importance.Further, there is a societal demand for spatial reference and analytics (e.g. the extensive use of cognitive concepts of "map" and "atlas" for a variety of social topics in the media).There is a huge geometrical-logical-cognitive potential for complex, multimedia, digital-cultural-heritage databases and stakeholders expect handling, transmission and processing operations with guaranteed long-term availability for all other stakeholders.In the future, whole areas of digital multimedia databases will need to be processed to further our understanding of historical and cultural contexts.This is an important concern for the information society and presents significant challenges for cartography in all these domains. This book collects innovative technical and scientific work on the entire process of object digitization, including detail extraction, archiving and interoperability of multimedia DCH data.
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The Cultural Heritage of Meghalaya
The state of Meghalaya, formed on 21 January 1972, is a state of fascinating socio-cultural significance.Its heritage can be traced from the prehistoric times of Stone Age upto the present.Though comprising mainly of the matrilineal Khasi, Garo, and Jaintia tribes – the state also houses many other lesser known communities such as the Hajong, Sakachep, Biate, Koch, Dalu, Margnar and the Nepali.All these communities find voice in this volume. The Cultural Heritage of Meghalaya looks at the state of Meghalaya exhaustively from the perspective of heritage documentation and maintenance.
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Analytical Chemistry for Cultural Heritage
The series Topics in Current Chemistry Collections presents critical reviews from the journal Topics in Current Chemistry organized in topical volumes.The scope of coverage is all areas of chemical science including the interfaces with related disciplines such as biology, medicine and materials science.The goal of each thematic volume is to give the non-specialist reader, whether in academia or industry, a comprehensive insight into an area where new research is emerging which is of interest to a larger scientific audience.Each review within the volume critically surveys one aspect of that topic and places it within the context of the volume as a whole.The most significant developments of the last 5 to 10 years are presented using selected examples to illustrate the principles discussed.The coverage is not intended to be an exhaustive summary of the field or include large quantities of data, but should rather be conceptual, concentrating on the methodological thinking that will allow the non-specialist reader to understand the information presented.Contributions also offer an outlook on potential future developments in the field.
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Cultural Heritage and Mass Atrocities
A pathbreaking call to halt the intertwined crises of cultural heritage attacks and mass atrocities and mobilize international efforts to protect people and cultures. Intentional destruction of cultural heritage has a long history.Contemporary examples include the Bamiyan Buddhas in Afghanistan, mosques in Xinjiang, mausoleums in Timbuktu, and Greco-Roman remains in Syria.Cultural heritage destruction invariably accompanies assaults on civilians, making heritage attacks impossible to disentangle from the mass atrocities of genocide, war crimes, crimes against humanity, and ethnic cleansing.Both seek to eliminate people and the heritage with which they identify.Cultural Heritage and Mass Atrocities assembles essays by thirty-eight experts from the heritage, social science, humanitarian, legal, and military communities.Focusing on immovable cultural heritage vulnerable to attack, the volume's guiding framework is the Responsibility to Protect (R2P), a United Nations resolution adopted unanimously in 2005 to permit international intervention against crimes of war or genocide.Based on the three pillars of prevent, react, and rebuild, R2P offers today's policymakers a set of existing laws and international norms that can and--as this book argues--must be extended to the protection of cultural heritage.Contributions consider the global value of cultural heritage and document recent attacks on people and sites in China, Guatemala, Iraq, Mali, Sri Lanka and Afghanistan, Syria, and Yemen.Comprehensive sections on vulnerable populations as well as the role of international law and the military offer readers critical insights and point toward research, policy, and action agendas to protect both people and cultural heritage.A concise abstract of each chapter is offered online in Arabic, Chinese, French, Russian, and Spanish to facilitate robust, global dissemination of the strategies and tactics offered in this pathbreaking call to action. The free online edition of this publication is available at getty.edu/publications/cultural-heritage-mass-atrocities.Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book.
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What is a cultural heritage?
Cultural heritage refers to the traditions, customs, beliefs, and artifacts that are passed down from generation to generation within a society. It encompasses the tangible and intangible aspects of a culture, including historical sites, monuments, art, music, language, and rituals. Cultural heritage plays a crucial role in shaping a community's identity and preserving its unique heritage for future generations. It is an important part of a society's history and contributes to its sense of belonging and continuity.
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Is the Drachenschanze a German cultural heritage site?
Yes, the Drachenschanze is considered a German cultural heritage site. It is a historic site in the Harz Mountains that has been preserved and protected due to its cultural significance. The Drachenschanze is a medieval fortification that played a role in the region's history, making it an important part of Germany's cultural heritage. Its historical and architectural significance has led to its recognition as a cultural heritage site in Germany.
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Is Drachenlord and the Drachengame considered German cultural heritage?
Drachenlord and the Drachengame are not officially recognized as German cultural heritage. While they may have gained a following and become a notable part of internet culture in Germany, they do not hold the same status as traditional cultural elements such as literature, music, or art that are typically associated with being part of a country's cultural heritage. Additionally, the controversial nature of Drachenlord and the Drachengame may make it less likely to be officially recognized as cultural heritage.
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Is the Drachenlord and the Drachengame German cultural heritage?
The Drachenlord and the Drachengame are not considered German cultural heritage in the traditional sense. They are more of a modern internet phenomenon that has gained popularity in certain online communities. While they may have a following and be part of contemporary German internet culture, they do not hold the same historical or cultural significance as traditional German heritage sites or practices.
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Cultural Heritage and the Future
Cultural Heritage and the Future brings together an international group of scholars and experts to consider the relationship between cultural heritage and the future. Drawing on case studies from around the world, the contributing authors insist that cultural heritage and the future are intimately linked and that the development of futures thinking should be a priority for academics, students and those working in the wider professional heritage sector.Until recently, the future has never attracted substantial research and debate within heritage studies and heritage management, and this book addresses this gap by offering a balance of theoretical and empirical content that will stimulate multidisciplinary debate in the burgeoning field of critical heritage studies. Cultural Heritage and the Future questions the role of heritage in future making and will be of great relevance to academics and students working in the fields of museum and heritage studies, archaeology, anthropology, architecture, conservation studies, sociology, history and geography.Those working in the heritage professions will also find much to interest them within the pages of this book.
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Traditional Black IP44 Outdoor Hexagonal Wall Lantern Down Light
Traditional Black IP44 Outdoor Hexagonal Wall Lantern Down Light FEATURES * Textured durable Black Finish * IP23 Rated * Clear Curved Bevelled Glass Panel * Suitable for use with Security Sensors SIZE * Height 410mm * Diameter 205mm * Projection 200mm BULBS * Takes 1 x 60 watt E27 Lamp (not included) * Ideal for Use With LED Lamps
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Firstlight Nautic Traditional Style Up and Down Light Brass
Enhance your outdoor space with the Firstlight Nautic up and down light, a superb choice for both style and functionality. This traditional up and down light fitting is designed to offer both elegance and durability, making it ideal for a variety of outdoor settings. Crafted to withstand the elements, it brings a touch of sophistication while providing reliable performance.The design of this up and down light is characterized by its solid brass construction and classic style. Finished in a warm brass tone, it adds a timeless appeal to any exterior. With dimensions of 60mm in width, 200mm in height, and 100mm in depth, this substantial fixture offers a strong presence without being overpowering. The dual-light feature enhances its versatility, allowing for versatile lighting effects that illuminate both upwards and downwards.The Nautic up and down light stands out for its adaptability, as it accommodates two GU10 bulbs, giving you the flexibility to choose the light output and color temperature that best suits your needs. Though the bulbs are sold separately, this feature allows you to customize the lighting to achieve the desired ambiance or brightness. This flexibility makes it suitable for a range of applications, from highlighting architectural features to providing general illumination.Constructed from solid brass, this up and down light is built to last, offering superior durability and resistance to harsh weather conditions. The IP64 rating ensures effective protection against dust and water, making it a reliable choice for outdoor use. This robust build quality underscores the light fitting's longevity and resilience, promising years of dependable service.In terms of illumination, the Firstlight Nautic up and down light supports a maximum of 4W GU10 bulbs, providing efficient and focused lighting. The dual orientation of the light allows for an elegant display of light both above and below the fixture, enhancing visibility and adding a sophisticated touch to your exterior spaces.Perfect for a variety of settings, this up and down light is ideal for enhancing the appearance of entryways, garden walls, and other outdoor areas. Its traditional design and high-quality construction make it a versatile choice for adding both style and function to any outdoor environment, ensuring that it meets your lighting needs with grace and reliability.Requires 2 x GU10 bulbs max 4W (sold separately).
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Azusa Wooden TV Stand With Pull-Down Doors In Artisan Oak
Azusa Wooden TV Stand with Pull-Down Doors in Artisan Oak is a modern and stylish addition to your living space, thoughtfully designed by Furniture in Fashion. This TV stand beautifully showcases the sleek and pristine charm of the Artisan Oak finish, creating a contemporary and elegant atmosphere in your home. The pull-down doors provide concealed storage space for your media equipment, DVDs, gaming consoles, and more, helping you maintain a clutter-free and organized entertainment area. The top surface is perfect for accommodating your television and decorative items, making it a versatile piece that seamlessly complements modern interior styles. Whether it's placed in your living room, bedroom, or dedicated entertainment space, the Azusa Wooden TV Stand is a chic and practical addition that adds both style and functionality to your home. Elevate your space with this beautiful and well-organized piece from Furniture in Fashion, where form and function merge seamlessly, creating a stylish and convenient entertainment hub. Please Note : Any faults or damaged parts must be reported before proceed with the assembly FEATURES : Material : 16mm High-Quality Laminated Board Finish : Artisan Oak Four Closed Compartments Optional Wall Mounting [Fixings Not Included] Matching Furniture Available Made from 16mm high-quality laminated board Assembly Required Available at an affordable price Images shown are for illustration purpose only DIMENSIONS : Height : 30cm Width : 180cm Depth : 35cm
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Should I lay down or lie down?
The correct phrase is "lie down." "Lay down" is incorrect because "lay" is a transitive verb that requires an object, while "lie" is an intransitive verb that does not require an object. So, when you want to recline or rest horizontally, you should say "lie down."
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Should I count down or count down?
It seems like there might be a typo in your question. If you meant to ask "Should I count up or count down?" then it depends on the context. Counting up involves starting from a lower number and increasing, while counting down involves starting from a higher number and decreasing. You should choose the method that best suits the situation you are in. If you meant to ask "Should I count down or count on?" then it also depends on the context. Counting down involves decreasing numbers, while counting on involves adding numbers. Again, you should choose the method that best suits the situation you are in.
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What does cultural appropriation of Bavarian traditional clothing look like?
Cultural appropriation of Bavarian traditional clothing can look like non-Bavarian individuals wearing traditional Bavarian garments, such as dirndls and lederhosen, without understanding or respecting the cultural significance behind these items. It can also involve using these traditional clothing items in a disrespectful or caricatured manner, such as wearing them as costumes for entertainment purposes without understanding their historical and cultural significance. Additionally, cultural appropriation of Bavarian traditional clothing can occur when these garments are mass-produced and sold without proper acknowledgment or compensation to the Bavarian communities from which they originate.
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What does handcrafted mean?
Handcrafted refers to items that are made by hand, often by skilled artisans or craftspeople. These items are typically created with attention to detail, care, and craftsmanship, resulting in unique and high-quality products. Handcrafted items often showcase the individuality and creativity of the maker, and can be valued for their authenticity and personal touch.
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