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  • Authentic Iron Palm : The Complete Training Manual
    Authentic Iron Palm : The Complete Training Manual


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  • Complete Guide to Traditional Jewish Cooking
    Complete Guide to Traditional Jewish Cooking

    The rich and varied history of the Jewish people is reflected in the glorious diversity of their food and cooking.This book contains over 400 traditional recipes, enabling you to enjoy classics such as chicken soup with knaidlach, Hungarian ghoulash and apple strudel; sample Ashkenazic gefilte fish and pastry-wrapped Balkan lamb; try spiced African dishes such as Moroccan grilled fish brochettes and Libyan spicy pumpkin dip; or prepare light, deli-style options such as crisp coleslaw or herring spread with horseradish.Every recipe has been adapted to suit the modern kitchen, making the book both an inspiration to follow as well as easy to use.

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  • Meinl Byzance Traditional Medium Complete Cymbal Set
    Meinl Byzance Traditional Medium Complete Cymbal Set

    The Meinl Byzance Traditional Medium Complete Cymbal Set is a must-have for any drummer seeking a versatile and high-quality collection of cymbals. This set covers all the essential sounds needed for live performances recording and practice sessions. Whether you want to complete your standard kit or expand your sound by adding additional cymbals this set is the perfect foundation. Crafted from B20 Bronze Alloy and shaped through meticulous hand hammering these Turkish cymbals offer a warm and smooth character. The medium to short sustain and medium volume make them suitable for a wide range of music styles including rock pop fusion jazz funk R&B reggae studio and world music. The mid-bright timbre and high-mid pitch ensure that your cymbals clearly cut through the mix.

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  • Meinl Byzance Traditional Polyphonic Complete Cymbal Set
    Meinl Byzance Traditional Polyphonic Complete Cymbal Set

    The Meinl Byzance Traditional Polyphonic Complete Cymbal Set is the ultimate collection of hand-made Turkish cymbals to elevate your sound. Whether youre performing live recording or practicing this set covers all the essential sounds you need. Crafted from B20 Bronze Alloy and shaped through meticulous hand hammering these cymbals possess a warm and smooth character that is perfect for a range of music styles including rock pop fusion jazz funk R&B reggae studio and world. The medium sustain and volume of these cymbals allow them to cut through the mix without overpowering the rest of your kit providing the perfect balance for both onstage and in the studio. The Meinl Byzance Traditional Polyphonic Complete Cymbal Set includes a 15" Hi-hat an 18" Crash and a 21" Ride all with matching finishes and weights for consistent tone feel and volume. Whether youre looking to complete your standard kit or build a foundation to add other cymbals around it this set is the perfect choice.

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  • What is a cultural heritage?

    Cultural heritage refers to the traditions, customs, beliefs, and artifacts that are passed down from generation to generation within a society. It encompasses the tangible and intangible aspects of a culture, including historical sites, monuments, art, music, language, and rituals. Cultural heritage plays a crucial role in shaping a community's identity and preserving its unique heritage for future generations. It is an important part of a society's history and contributes to its sense of belonging and continuity.

  • Is the Drachenschanze a German cultural heritage site?

    Yes, the Drachenschanze is considered a German cultural heritage site. It is a historic site in the Harz Mountains that has been preserved and protected due to its cultural significance. The Drachenschanze is a medieval fortification that played a role in the region's history, making it an important part of Germany's cultural heritage. Its historical and architectural significance has led to its recognition as a cultural heritage site in Germany.

  • Is Drachenlord and the Drachengame considered German cultural heritage?

    Drachenlord and the Drachengame are not officially recognized as German cultural heritage. While they may have gained a following and become a notable part of internet culture in Germany, they do not hold the same status as traditional cultural elements such as literature, music, or art that are typically associated with being part of a country's cultural heritage. Additionally, the controversial nature of Drachenlord and the Drachengame may make it less likely to be officially recognized as cultural heritage.

  • Is the Drachenlord and the Drachengame German cultural heritage?

    The Drachenlord and the Drachengame are not considered German cultural heritage in the traditional sense. They are more of a modern internet phenomenon that has gained popularity in certain online communities. While they may have a following and be part of contemporary German internet culture, they do not hold the same historical or cultural significance as traditional German heritage sites or practices.

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  • Digital Cultural Heritage
    Digital Cultural Heritage

    This book provides an overview of various application spheres and supports further innovations needed in information management and in the processes of knowledge generation.The professions, organizations and scientific associations involved are unusually challenged by the complexity of the data situation.Cartography has always been the central field of application for georeferencing digital cultural heritage (DCH) objects.It is particularly important in enabling spatial relation analysis between any number of DCH objects or of their granular details.In addition to the pure geometric aspects, the cognitive relations that lead to knowledge representation and derivation of innovative use processes are also of increasing importance.Further, there is a societal demand for spatial reference and analytics (e.g. the extensive use of cognitive concepts of "map" and "atlas" for a variety of social topics in the media).There is a huge geometrical-logical-cognitive potential for complex, multimedia, digital-cultural-heritage databases and stakeholders expect handling, transmission and processing operations with guaranteed long-term availability for all other stakeholders.In the future, whole areas of digital multimedia databases will need to be processed to further our understanding of historical and cultural contexts.This is an important concern for the information society and presents significant challenges for cartography in all these domains. This book collects innovative technical and scientific work on the entire process of object digitization, including detail extraction, archiving and interoperability of multimedia DCH data.

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  • Cultural Heritage and the Future
    Cultural Heritage and the Future

    Cultural Heritage and the Future brings together an international group of scholars and experts to consider the relationship between cultural heritage and the future. Drawing on case studies from around the world, the contributing authors insist that cultural heritage and the future are intimately linked and that the development of futures thinking should be a priority for academics, students and those working in the wider professional heritage sector.Until recently, the future has never attracted substantial research and debate within heritage studies and heritage management, and this book addresses this gap by offering a balance of theoretical and empirical content that will stimulate multidisciplinary debate in the burgeoning field of critical heritage studies. Cultural Heritage and the Future questions the role of heritage in future making and will be of great relevance to academics and students working in the fields of museum and heritage studies, archaeology, anthropology, architecture, conservation studies, sociology, history and geography.Those working in the heritage professions will also find much to interest them within the pages of this book.

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  • Cultural Heritage and Mass Atrocities
    Cultural Heritage and Mass Atrocities

    A pathbreaking call to halt the intertwined crises of cultural heritage attacks and mass atrocities and mobilize international efforts to protect people and cultures. Intentional destruction of cultural heritage has a long history.Contemporary examples include the Bamiyan Buddhas in Afghanistan, mosques in Xinjiang, mausoleums in Timbuktu, and Greco-Roman remains in Syria.Cultural heritage destruction invariably accompanies assaults on civilians, making heritage attacks impossible to disentangle from the mass atrocities of genocide, war crimes, crimes against humanity, and ethnic cleansing.Both seek to eliminate people and the heritage with which they identify.Cultural Heritage and Mass Atrocities assembles essays by thirty-eight experts from the heritage, social science, humanitarian, legal, and military communities.Focusing on immovable cultural heritage vulnerable to attack, the volume's guiding framework is the Responsibility to Protect (R2P), a United Nations resolution adopted unanimously in 2005 to permit international intervention against crimes of war or genocide.Based on the three pillars of prevent, react, and rebuild, R2P offers today's policymakers a set of existing laws and international norms that can and--as this book argues--must be extended to the protection of cultural heritage.Contributions consider the global value of cultural heritage and document recent attacks on people and sites in China, Guatemala, Iraq, Mali, Sri Lanka and Afghanistan, Syria, and Yemen.Comprehensive sections on vulnerable populations as well as the role of international law and the military offer readers critical insights and point toward research, policy, and action agendas to protect both people and cultural heritage.A concise abstract of each chapter is offered online in Arabic, Chinese, French, Russian, and Spanish to facilitate robust, global dissemination of the strategies and tactics offered in this pathbreaking call to action. The free online edition of this publication is available at getty.edu/publications/cultural-heritage-mass-atrocities.Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book.

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  • The Cultural Heritage of Meghalaya
    The Cultural Heritage of Meghalaya

    The state of Meghalaya, formed on 21 January 1972, is a state of fascinating socio-cultural significance.Its heritage can be traced from the prehistoric times of Stone Age upto the present.Though comprising mainly of the matrilineal Khasi, Garo, and Jaintia tribes – the state also houses many other lesser known communities such as the Hajong, Sakachep, Biate, Koch, Dalu, Margnar and the Nepali.All these communities find voice in this volume. The Cultural Heritage of Meghalaya looks at the state of Meghalaya exhaustively from the perspective of heritage documentation and maintenance.

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  • Is only complete indifference complete freedom?

    Complete indifference is not necessarily complete freedom. While indifference may allow one to detach from external influences and opinions, true freedom often involves actively making choices and taking responsibility for one's actions. Freedom is about having the ability to make decisions based on one's values and desires, rather than simply being apathetic or indifferent to the world around us.

  • Is complete indifference the only complete freedom?

    Complete indifference is not the only form of complete freedom. While indifference may provide a sense of detachment and liberation from external influences, true freedom can also be found in actively engaging with the world around us and making conscious choices. Complete freedom can involve being fully present, making decisions based on personal values and desires, and taking responsibility for our actions. Ultimately, freedom is a complex concept that can manifest in various ways beyond just indifference.

  • What does cultural appropriation of Bavarian traditional clothing look like?

    Cultural appropriation of Bavarian traditional clothing can look like non-Bavarian individuals wearing traditional Bavarian garments, such as dirndls and lederhosen, without understanding or respecting the cultural significance behind these items. It can also involve using these traditional clothing items in a disrespectful or caricatured manner, such as wearing them as costumes for entertainment purposes without understanding their historical and cultural significance. Additionally, cultural appropriation of Bavarian traditional clothing can occur when these garments are mass-produced and sold without proper acknowledgment or compensation to the Bavarian communities from which they originate.

  • What does handcrafted mean?

    Handcrafted refers to items that are made by hand, often by skilled artisans or craftspeople. These items are typically created with attention to detail, care, and craftsmanship, resulting in unique and high-quality products. Handcrafted items often showcase the individuality and creativity of the maker, and can be valued for their authenticity and personal touch.

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